Аватар персоны Eugene Marner

Eugene Marner

Director
Eugene Marner was an American stage director, filmmaker and cameraman for 35 years as well as a producer, director, and writer of television documentaries. In the mid-1980s, he directed two feature films, "Beauty and the Beast", starring John Savage and Rebecca DeMornay, and "Puss in Boots", starring Christopher Walken.

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Total Films

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actor

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producer

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director

5 Works

writer

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other

1 Works

Puss in Boots

Puss in Boots

A cat belonging to a poor miller's son thinks up a great plan for bringing a title, wealth, and marriage for his owner. He begins to carry it out, using a few birds and rabbits as gifts for the king, his own wit, and a pair of boots that make him appear human when he puts them on. However, his owner has no idea that the cat has told everyone that his master is a marquis rather than a miller's son until the king has arrived to meet him. Soon the king's daughter and the miller's son fall in love, and the king wants very much to see the land and the castle belonging to this rich "marquis."
7.2

Year:

1988

Beauty and the Beast

Beauty and the Beast

To save her father, a girl who always puts others before herself promises to live her life in a lavish castle with a strange beast.
6.3

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1987

Hearts and Minds

Hearts and Minds

Many times during his presidency, Lyndon B. Johnson said that ultimate victory in the Vietnam War depended upon the U.S. military winning the "hearts and minds" of the Vietnamese people. Filmmaker Peter Davis uses Johnson's phrase in an ironic context in this anti-war documentary, filmed and released while the Vietnam War was still under way, juxtaposing interviews with military figures like U.S. Army Chief of Staff William C. Westmoreland with shocking scenes of violence and brutality.
7.7

Year:

1974

Birth and Death

Birth and Death

This cinema-verite-style documentary interweaves the pregnancy and childbirth of a young woman with the lingering death of a cancer patient to comment on the celebration and tragedy of existence. The tenderness and intimacy of the young couple, and the mystery of birth are contrasted with the dignity of a man who faces his death without deception.
5.0

Year:

1968

Phyllis & Terry

Phyllis & Terry

"Two young Negro girls from a poor neighborhood are filmed in the course of living and of explaining themselves. Simple, fascinating, moving. Unfortunately, according to the point of view of Oberhausen, this sort of thing is considered to be not "filmic"; it is however precisely the type of human exploration that only the cinema can do." –Cahiers du Cinema, April 1965
0.0

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1965