Euripides

Medea

After escaping from her homeland and now abandoned by the man she loves, Medea must find strength from within to fight against growing injustice - how far is she willing to go?

Hippolyte et Aricie

In October 1733, the audience at the Académie Royale de Musique witnessed the birth of a revolutionary work: Hippolyte et Aricie. With its inventiveness and musical richness, Rameau’s opera marks a break in the history of French music. A similarly revolutionary duo – Jeanne Candel and Raphaël Pichon – get to grips with this work for the Opéra Comique.

Medea

The inalienable and inconceivable core of an old myth is swirling and fermenting beneath the surface of a recognizable contemporary story. Medea is called Anna in this version, a successful doctor who is trying to get on with her life after a forced confinement. She is willing to forgive the affair of her husband with a younger woman and to make a new start with him and the children. Soon it turns out that their plans for the future do not correspond. Anna is in danger of losing everything: her husband, her children, her career. She is cornered and sees only one way out.

Medea

Medea is expelled from the mining region in the Atacama Desert and is given just one day to disappear. But in that single day, she comes up with a plan for revenge. In order to carry out this plan, which will culminate in her murdering her own son, she invokes her innermost strength, summoning the power of the female gender.

Conversion

In this contemporary take on the ancient Greek tragedy “The Bacchae” by Euripides, Dionysus, the god of wine, madness, divine ecstasy and of the arts is a downtown fashion photographer with a gluten allergy, who, along with his model Maenads, lures the rational and civilized King Pentheus into his hotel party of debauchery.

National Theatre Live: Medea

Medea is a wife and a mother. For the sake of her husband, Jason, she’s left her home and borne two sons in exile. But when he abandons his family for a new life, Medea faces banishment and separation from her children. Cornered, she begs for one day’s grace. It’s time enough. She exacts an appalling revenge and destroys everything she holds dear.

Medea

TV adaptation of Michael Thalheimer's production at the Schauspiel Frankfurt.

The Metropolitan Opera: Iphigénie en Tauride

Gluck’s gripping adaptation of the ancient Greek myth is vividly brought to life by a stellar cast in Stephen Wadsworth’s atmospheric production. Oreste is driven by the Furies to atone for killing his mother Clytemnestre. When he and his companion Pylade are shipwrecked on the island of Tauride, the king Thoas demands they be sacrificed. At the center of the drama is Iphigénie, Oreste’s long-lost sister. Forced to live among her enemies, she holds the lives of the captives in her hands—unaware that one of them is her brother. (Iphigénie en Tauride is performed in an adaptation of the 1779 Paris version edited by Gerhard Croll, by arrangement with Bärenreiter.)

The Bacchae

A talented ensemble cast bring Euripides masterpiece to life. The Bacchae (also called The Bacchants or Bakchai in Greek) tells the story of the god Dionysus who comes to the city of Thebes disguised as a charismatic young man accompanied by a throng of erotic female maenads. The immortal play is a study in fanatical religions and confronts the personal balance that we all must find between order and spontaneity.

Cassandra

Euripides' Greek tragedy, "The Trojan Women" is played out on the edge of a rocky desolate Mexican border town in this poetic reinterpretation by Director Mauricio Chernovetzky.

Bash: Latter-Day Plays

The movie comprises three vignettes of actors-speaking-to-audience, two of which are monologues. All three revolve around violence or murder.

Médée

Repudiated by her husband Jason, Medea takes cruel revenge on her children.

The Bacchae

The young wine god Dionysus returns to his native town of Thebes after having established his cult in the east. In his entourage, he has a run of Bacchantes. Semele, his mother, was distrusted by her family when she claimed that Zeus was the father of her child. Dionysus has come to restore her, revealing his divinity, and require proper worship of the Theban legion.

Medea

It is an adaptation of the Greek tragedy Medea from Euripides, a version where the Gods willing and intervations are absent. Medea is the tragic character that after helping Jason in the Voyage of the Argonauts (myth says that she has even sacrificed her own brother for Jason's success), she gets from him only betrayal, as he arranges to marry the King's of Corinth daughter. The king decides to exile Medea, as she is a danger for his daughter happiness, but Medea asks from him just a day… before she goes outside the borders. That day Medea gets her revenge.

Medea

Famous tragedy by Euripides in ballet.

A Dream of Passion

Melina Mercouri plays Maya, a jet-setting Greek actress who returns to her homeland to undertake the role of Medea. Searching for inspiration and clues as to how a mother could kill the children she loves, Maya discovers Brenda (Ellen Burstyn), a bible-spouting American woman serving time in an Athens prison for that very crime.

A Dream of Passion

Melina Mercouri plays Maya, a jet-setting Greek actress who returns to her homeland to undertake the role of Medea. Searching for inspiration and clues as to how a mother could kill the children she loves, Maya discovers Brenda (Ellen Burstyn), a bible-spouting American woman serving time in an Athens prison for that very crime.

Iphigenia

The Greek army is about to set sail to a great battle, but the winds refuse to blow. Their leader, King Agamemnon, seeks to provide better food, but accidentally slays a sacred deer. His punishment from the gods, the sacrifice of his daughter Iphigenia.

The Trojan Women

In the aftermath of the Trojan Wars, Queen Hecuba takes stock of the defeated kingdom. Her son has been killed, and his widow, Andromache, is left to raise their son, Astyanax, alone. Hecuba's daughter, Cassandra, fears being enslaved by her Greek masters, while Helen of Troy risks being executed. Astyanax also becomes the focus of the Greeks' attention as the last male heir of the Trojan royal family.

Alkeste - Die Bedeutung, Protektion zu haben

Adi (Admitos) is under the protection of Apollo, the son of a man with money and relationships. The two are in jail, suspected of murder, but without evidence. So they are released. Adi loves Claudia (Alkeste), the domestic partner of his arch enemy, who finds death in a - metaphysical - duel. The power of Apollo is with Adi, who subsequently even finds out how to overcome death, after the apocalypse.

Dionysus in '69

Filmed stageplay based on the ancient greek play The Bacchae written by Euripides. This play is performed by members of The Performance Group, an NYC experimental theater group who has made their own personal adaptation of this ancient text. Filmed by Brian De Palma.

Medea

Based on the plot of Euripides' Medea. Medea centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.

Orestes

The third part of Euripides’ trilogy relates Orestes’ confrontation with the people of Argos after killing his mother Clytemnestra and her lover Aegisthus, and his struggle to defend himself and his heritage – with the support of his sister, Electra.

The Trojan Women

In 1967 the director Vittorio Cottafavi produces the TV movie Le Troiane from Euripides. He uses the classical Italian translation by Enzio Cetrangolo, but creates an original way of film adaptation, inspired by the Brechtian conception of staging the ancient theater. He does not use costume or set design, but is based only on the simple performance of the actors, highlighted by the shooting technique. The absolute sense of tragedy is perceived by the public through emotional engagement and imagination. So, the Trojan war is all the wars and the pain of the Trojan women is the pain of all the victims of any war.

Dionysus

In 1963 Boultenhouse wrote, produced, and directed Dionysius,which he described as a “free treatment of Euripides' The Bacchae.”It starred the dancers Louis Falco, Anna Duncan, and Nicolas Magallanes as Dionysius, Agave, and Pentheus respectively, and the experimental filmmakers Charles Levine, Willard Maas, Gregory Markopoulos, Marie Menken, Lloyd Williams and William Wood as the Chorus of Cameras. The film's score was by Teiji Ito.

Medea

Medea is a powerful witch who gets revenge on her cheating husband Jason by killing their children.

Electra

Living in exile after the death of their father, the grown children of a murdered and usurped king converge to exact eye-for-an-eye revenge.

Phaedra

A modern retelling of the Greek myth of Phaedra. The young and fiery second wife of an extremely wealthy shipping magnate meets her estranged stepson Alexis and sparks immediately fly. Their love seems doomed from the beginning when she convinces him to come to Paris to meet his father.

The Bacchantes

The god Dionysus decides to pay a visit to the city of Thebes. Dionysus wants to be the worshiped by the masses, but the kingdom is suffering a horrific drought and the king Pentheus wants instead to sacrifice a virgin to the God Demeter.

Medea

A betrayed queen takes a terrible revenge.

Medea

Medea is centered on Medea's calculated desire for revenge against her unfaithful husband. The play is set in Corinth some time after Jason's quest for the Golden Fleece, where he met Medea.