Eva Hartmann

I'm Not Stiller

1950. James White, an American traveller, is arrested at the Swiss border. The police take him into custody, convinced he is Anatol Stiller, a promising Swiss sculptor who vanished seven years earlier after being accused of serving communist ideology. Despite the mounting evidence against him, James White continues to assert that he is not the man they are looking for. As the investigation tightens around him, Stiller’s ex-wife is called by police to testify and untangle the truth from the lies. Is James White really the man he claims to be?

Köy

KÖY (Turkish for village) is about the longing for home, for belonging and the freedom of the self. Three women from three generations are united by their Kurdish roots.

Köy

KÖY (Turkish for village) is about the longing for home, for belonging and the freedom of the self. Three women from three generations are united by their Kurdish roots.

Siberia

Clint is a dead man who lives alone in a frozen tundra. However, this isolation cannot bring either evasion or peace. One night, he begins a journey where he must confront his dreams, memories, and visions, crossing the darkness into the light.

Wheels of Freedom

Being alive and having a life are two different things for Ville Jaaranto. Freedom as his dream and equality on his agenda, he sets to travel across Europe by his power wheelchair. While on his journey, he comes to realize that neither he himself nor the world around him are quite ready for it. Crazy dreams are the best cure for a mundane life.

Nona

Fidi is aimlessly hitchhiking on a snowy winter's night and ends up being seduced by Nona into murdering several innocent bystanders.

Rudolf Thome - Flowers Everywhere

Rudolf Thome’s idiosyncratic oeuvre was created with a continuity rare in German cinema – he has directed 28 feature-length films over more than four decades since 1968. The writing of the script for film no. 29 and the parallel efforts to secure financing form the thread that runs through this cinematic portrait, which consists wholly of conversations and observations around Thome’s home, a converted farm in Brandenburg. The filmmaker is nothing if not forthcoming, and the viewer has the opportunity to experience him in various other roles: as a gardener, a father, a cyclist, and a performer of his own persona.

Rudolf Thome - Flowers Everywhere

Rudolf Thome’s idiosyncratic oeuvre was created with a continuity rare in German cinema – he has directed 28 feature-length films over more than four decades since 1968. The writing of the script for film no. 29 and the parallel efforts to secure financing form the thread that runs through this cinematic portrait, which consists wholly of conversations and observations around Thome’s home, a converted farm in Brandenburg. The filmmaker is nothing if not forthcoming, and the viewer has the opportunity to experience him in various other roles: as a gardener, a father, a cyclist, and a performer of his own persona.