Felicitas Raffo

The Messenger

Vera, imprisoned at a military fortress during the dictatorship, 1969, get to know a soldier, Armando, who, in the face of torture, decides to take messages from Vera to his family and establishes an affective relationship with D. Maria, Vera’s mother. Despite the horrors of the time, the film works on this possibility of a dialogue between two lonely and lost human beings: a high-middle-class lady and a young southerner of rural origin. Today, Vera, aged 70, is a professor at the university, and debates with her students about politics, forgiveness and Hannah Arendt.

Trilogía Muda

A current of thought unites the three episodes in a coherent way, embodied with few elements, and that makes of space, time, and movement, purely cinematographic modes of expression. Voice is not needed. Yes there are sounds, music, but not human voices, as in primitive cinema. There are faces, slow or fast movements, despair, fatality, a barely glimpsed horror, desire and fear of freedom. There is also love, perhaps as an illusion, rather than as a reality.

Vicenta

A human tragedy on the backdrop of a legal and medical scandal which in 2007 lead to legal action against the Argentinean state before the UN Human Rights Commission and a verdict of guilty in 2011. The mentally and physically handicapped 16-year-old girl Laura had been raped by her uncle in 2006. But a legal abortion which had already been officially granted at the request of her mother, Vicenta, was opposed by lawyers and doctors.

Ana

Stela, a young Brazilian actress, decides to make a work on the letters exchanged between Latin American plastic artists in the 70s and 80s. She travels to Cuba, Mexico, Argentina and Chile looking for her works and testimonies about the reality they lived during the dictatorships that most of these countries faced at the time. In the midst of the investigation, Stela discovers the existence of Ana, a young Brazilian artist who was part of this world, but disappeared. Ana went from southern Brazil, from a small town in the interior to Buenos Aires. Obsessed by the character, Stela decides to find her and find out what happened to her.

La chancha

Pablo and Miguel, from Las Varillas, see each other after many years in La Cumbre when they are both on vacation with their partners. Secrets will come to light when Pablo's wife discovers why Miguel's presence bothers her husband so much.

Las Vegas

By chance, Martin and Laura travel to Villa Gesell at the same time. They are not together anymore but 18 years ago they conceived their son, Pablo, there. Soon, situations as absurd as they are touching will arise from their encounter. Juan Villegas ventures into comedy and is back at Bafici with a nostalgic, intimate film.

When You No Longer Love Me

An Argentinian girl returns to her natal town on Basque Country to discover who killed her father.

Praça Paris

Camila is a Portuguese therapist who works at Rio de Janeiro State University, where she attends Glória, the university's elevator operator. Throughout the sessions, Camila faces a very violent reality, since Glória was raped by her own father as a child and her brother Jonas is a dangerous bandit that is in prison. Increasingly frightened by the reports she hears, she feels threatened at the same time that Glória sees her as essential in her life.

Pendular

The trajectory of a romantic couple of contemporary artists reveals how the limits, contradictions and obsessions of a romantic relationship are reflected in each of their artistic endeavors.

Nobody's Watching

Nico is a famous actor in Argentina, but in New York, nobody takes notice. He needs to juggle bartending, babysitting and odd jobs to keep himself afloat. But when old friends from Buenos Aires come to visit, he needs to juggle the image of his old life with the reality of the struggling actor in New York City.

Nobody's Watching

Nico is a famous actor in Argentina, but in New York, nobody takes notice. He needs to juggle bartending, babysitting and odd jobs to keep himself afloat. But when old friends from Buenos Aires come to visit, he needs to juggle the image of his old life with the reality of the struggling actor in New York City.

Our House in Cuba

There was a time in Argentina, not so long ago, when the army wasn't only one, official, but many and made up by civilians. In those times of courageous youths determined to fight to the death for that cause upheld around Peronism as wll as some left-wing postulates, revolutionary Cubas was a beacon of hope in the world scheme -a Montonero nation. "A House in Cuba" seeks to recover the curious adventure of a couple of Montonero parents and their small children, who were lovingly sent into exile in order for their parents to take up arms.

Magallanes

Magallanes sees his humdrum life turn upside down the day Celina, a women he met in the violent years when he was a soldier with the Peruvian Army, jumps into his taxi in a Lima street. This unexpected re-encounter after 25 years with the dark past that unites them prompts Magallanes to embark on a daring plan to help Celina get money and find his own redemption.

La vida después

A couple married for 25 years decides to split. Adapting to the new life will be very difficult.

Holiday

A drama set in turbulent, turn-of-the-millennium Ecuador and centered on a young man who begins to develop complicated feelings for Juano after he saves him from a beating.

7th Floor

Buenos Aires, Argentina. Sebastián, a successful lawyer, leaves his ex-wife's condo, located on the seventh floor of an apartment building, to take his two children to school. While they run down the stairs, he uses the elevator. Once on the ground floor, Sebastián awaits the arrival of the children.

Memories They Told Me

A group of friends, who resisted the military dictatorship, and their children will face the conflict between the daily life of today and the past when one of them is dying.

Lions

Deep in the forest a group of five friends wander around like a lion herd. Lost in their word games, they play and seduce each other while going back and forth into adulthood territory, in a desperate search to avoid their already written story.

Found Memories

Each citizen of Jotuomba plays an integral role in village life. Madalena is responsible for baking bread; each morning she stacks her rolls as Antonio prepares the coffee. The two share a morning ritual of arguments and insults, followed by an amicable cup of coffee on the bench outside Antonio's shop. At midday the church bells ring, summoning the villagers to mass. In the early evening, they all share a meal together. And so life proceeds in Jotuomba, the days languidly drifting into one another; the only variations seem to be in the weather. But, one day Rita arrives looking for a place to stay.

La Infinita Distancia

Iván and Marie have relationship problems. Iván leaves Rosario without any explanation. Marie follows him, trying to save the relationship. Between the city and the countryside, the ties that they share make them grow closer and further apart at the same time.

Puentes

Three teenage boys love soccer, are troublemakers, and always lie to their teachers and miss class. They are always up to no good. And they aren't alone. Their families are surrounded by restlessness. It almost seems like a so-so movie about teens from Argentina. But when one of the boys steals a gun from another boy's house, things start to take a different turn. There is an accident, and the boy disappears. Where did he go? Sometime later, the two boys and the missing boy's sister head off to an unknown location. With the accident as the starting point, the film turns into a little odyssey within the heart of Buenos Aires.

Return to Bolivia

A family of Bolivian immigrants living in Argentina operates a greengrocer in a neighborhood of the City of Buenos Aires. In order to get employees for their business, they travel to Bolivia after eight years of absence. During the trip they meet their family, their friends and their abandoned traditions. But everything has changed and Bolivia does not seem to be its place either.