Аватар персоны Fernando de Fuentes

Fernando de Fuentes

ProducerWriterDirectorExecutive Producer
Fernando de Fuentes Carrau (December 12, 1894 – July 4, 1958) was a Mexican film director, considered a pioneer in the film industry worldwide. He is perhaps best known for directing the films El prisionero trece, El compadre Mendoza, and Vámonos con Pancho Villa, all part of his Revolution Trilogy on the Mexican Revolution.

13-12-1894

Birthday

Sagittarius

Zodiac Sign

-

Genres

0

Total Films

Also known as (male)

Veracruz, Mexico

Place of Birth

Popular works

Creative career

actor

0 Works

producer

23 Works

director

97 Works

writer

33 Works

other

7 Works

Los Beverly de Peralvillo

Los Beverly de Peralvillo

El Borras marries La Pecas, unaware of her mother's (Doña Chole) scheme against Borras. That of Borras to provide for all her family members who are a lazy bunch composed of her father and brothers.
6.7

Year:

1971

Let the Swallows Touch Me

Let the Swallows Touch Me

A Mexican singer travels the world and finds love in Argentina.
5.0

Year:

1957

School for Tramps

School for Tramps

Alberto Medina is a famous composer whose car breaks down while he is on a trip. While looking for help, he finds the Valverdes' house and is welcomed in by Emilia, the mother of the family, who is known for taking in tramps.
7.9

Year:

1955

The Intruder

The Intruder

Upon her arrival to the village San Ignacio, Gabriela meets Raúl, owner of a residence that her grandfather administrates. He doesn't reveal his real identity and they fall madly in love. Tania, Raúl's sister-in-law, secretly loves him and she decides to separate them by simulating a car accident from which Gabriela temporarily becomes paralized. Aware that they will marry, Tania makes the girl believe that Raúl is marrying her out of compassion, causing Gabriela to disappear from the residence...
5.0

Year:

1954

The Intruder

The Intruder

Upon her arrival to the village San Ignacio, Gabriela meets Raúl, owner of a residence that her grandfather administrates. He doesn't reveal his real identity and they fall madly in love. Tania, Raúl's sister-in-law, secretly loves him and she decides to separate them by simulating a car accident from which Gabriela temporarily becomes paralized. Aware that they will marry, Tania makes the girl believe that Raúl is marrying her out of compassion, causing Gabriela to disappear from the residence...
5.0

Year:

1954

Lullaby

Lullaby

A group of nuns raise an abandoned baby as their own inside a convent.
6.0

Year:

1953

Los hijos de María Morales

Los hijos de María Morales

Two brothers known in town for their womanizing, drinking and rowdiness meet their matches when two girls who like them decide to tame the two machos.
7.0

Year:

1952

Las locuras de Tin Tan

Las locuras de Tin Tan

Tin-Tan wants to builds an ice cream machine.
5.6

Year:

1952

Paco, el elegante

Paco, el elegante

Paco's ordered by a higher-up in his gang to beat up a journalist who wants to write exposes about Mexico City drug traffic, and that ends up opening a whole can of worms.
5.0

Year:

1952

Crimen y castigo

Crimen y castigo

Adaptation of Dostoyevsky's novel about a student who plans a conceptual murder and then butts heads with a police detective.
5.0

Year:

1951

By the False Door

By the False Door

Bernardo is in love with Adela and although she does not belong, he has always helped her family although they only care about money and not the virtues of man.
6.7

Year:

1950

El Colmillo de Buda

El Colmillo de Buda

Burlesque version of The Moonstone; the Prince of Panchistan and his cohorts are in Mexico to retrieve a sacred relic. Wacky hijinks ensue.
5.0

Year:

1949

Jalisco canta en Sevilla

Jalisco canta en Sevilla

A charro and his sidekick go to Spain to collect an inheritance.
6.2

Year:

1949

Allá en el Rancho Grande

Allá en el Rancho Grande

Remake of famous 1936 ranchera musical.
5.5

Year:

1949

Si Adelita se fuera con otro

Si Adelita se fuera con otro

Young couple run off to join the Mexican Revolution, in part because she has a crush on Francisco Villa.
5.6

Year:

1948

La Devoradora

La Devoradora

After her lover commits suicide, Diana involves her fiancé and his nephew in a scheme to help her disappear with the corpse.
6.2

Year:

1946

Doña Bárbara

Doña Bárbara

A woman hardened by her past now runs a ranch she acquired through manipulation and bribery.
7.1

Year:

1943

Creo en Dios

Creo en Dios

A 1941 film directed by Fernando de Fuentes.
5.0

Year:

1941

El jefe máximo

El jefe máximo

A 1940 film directed by Fernando de Fuentes.
5.0

Year:

1940

Allá en el Trópico

Allá en el Trópico

A 1940 film directed by Fernando de Fuentes.
5.0

Year:

1940

La casa del ogro

La casa del ogro

Lives of the tenants in a shabby-genteel apartment house. Miserly landlord learns valuable life lessons.
5.0

Year:

1939

Allá en el Rancho Grande

Allá en el Rancho Grande

Two good friends — the owner and general manager of a ranch — fall in love with the same girl at the same time. The owner tries to 'buy' the girl without knowing she is in love with the manager.
5.3

Year:

1936

The Dressel Family

The Dressel Family

Fernando de Fuentes was among the most famous and versatile writer-directors of Mexican cinema’s Golden Age, etching his style on genres as varied as the Western and the musical. In his immigrant melodrama The Dressel Family, De Fuentes addresses the “problem” of the ferreteros: successful bourgeois German families who established their own self-sufficient community within Mexico City, but in doing so—it was widely felt—preserved their haughty colonialist attitudes toward the native population. The head of the Dressel household is a proud and stubborn German matriarch who, disdainful of her son’s mixed marriage, sets out to destroy the reputation of his young wife, a Mexican radio singer (played by the beautiful and talented Consuelo Frank).
3.7

Year:

1935