Florian Fischer

The Rites of Passage

Peering through tiny holes that beetles have chewed through a now-dead bark, a spruce monoculture in decline slowly reveals itself. Besides an ecological-economic history, it also carries a spiritual legacy: semicircles of oak poles aligned with the solstices bear witness to a prehistoric sun observatory, once used for supernatural rituals. Florian Fischer and Johannes Krell take us on a phantasmagorical journey that challenges human understanding of change and history with a geological and almost mythological perspective.

The Rites of Passage

Peering through tiny holes that beetles have chewed through a now-dead bark, a spruce monoculture in decline slowly reveals itself. Besides an ecological-economic history, it also carries a spiritual legacy: semicircles of oak poles aligned with the solstices bear witness to a prehistoric sun observatory, once used for supernatural rituals. Florian Fischer and Johannes Krell take us on a phantasmagorical journey that challenges human understanding of change and history with a geological and almost mythological perspective.

The Rites of Passage

Peering through tiny holes that beetles have chewed through a now-dead bark, a spruce monoculture in decline slowly reveals itself. Besides an ecological-economic history, it also carries a spiritual legacy: semicircles of oak poles aligned with the solstices bear witness to a prehistoric sun observatory, once used for supernatural rituals. Florian Fischer and Johannes Krell take us on a phantasmagorical journey that challenges human understanding of change and history with a geological and almost mythological perspective.

The Rites of Passage

Peering through tiny holes that beetles have chewed through a now-dead bark, a spruce monoculture in decline slowly reveals itself. Besides an ecological-economic history, it also carries a spiritual legacy: semicircles of oak poles aligned with the solstices bear witness to a prehistoric sun observatory, once used for supernatural rituals. Florian Fischer and Johannes Krell take us on a phantasmagorical journey that challenges human understanding of change and history with a geological and almost mythological perspective.

Umbra

The film UMBRA deals with rare and common optical phenomena that occur in nature. These phenomena evoke familiar images such as shadows or reflections on a water surface; but also unusual ones like the "Brocken spectre" or the pinhole effect during a solar eclipse. These ancient and natural projections can be considered as precultural and independent of any apparatus. They occured even before mankind and are united by their intangible, ephemeral presence. In their immateriality and fragility, they are precursors of the cinema image. UMBRA develops a visual dialogue between phenomenon and apparatus, archetype and image, self and self-perception.

Umbra

The film UMBRA deals with rare and common optical phenomena that occur in nature. These phenomena evoke familiar images such as shadows or reflections on a water surface; but also unusual ones like the "Brocken spectre" or the pinhole effect during a solar eclipse. These ancient and natural projections can be considered as precultural and independent of any apparatus. They occured even before mankind and are united by their intangible, ephemeral presence. In their immateriality and fragility, they are precursors of the cinema image. UMBRA develops a visual dialogue between phenomenon and apparatus, archetype and image, self and self-perception.

Kaltes Tal

Oscillating between aesthetic and documentary forms, Kaltes Tal describes the daily business of a strip mine harvesting lime. The material removed is processed and returned to nature through forest liming. This measure attempts to counteract acid rain that troubles the forest floor. A cycle like a Mobius strip – an irreversible consequence due to the mining materials in order to restore the fragile natural balance. Lime dust delicately dusts the forest floor. A white, spherical alternative world opens, questioning our ambivalent relationship to nature.

Still Life

The film makers leave the classical nature film behind in order to explore new ways of conceptualising our understanding of nature and ourselves. A hitherto familiar environment develops strange characteristics and meanders between stagnation and movement, realism and hypnosis, naturalness and artificiality.

Das letzte Wort

Short film about violence against children.