Аватар персоны Gail Harvey

Gail Harvey

DirectorProducerWriterExecutive Producer
Gail Harvey is a Canadian photographer and award-winning film director. She runs a production company called Straight Shooters in partnership with her daughter, award-winning actress Katie Boland. Gail has directed award-winning television shows Dark Matter (2015), Private Eyes (2016), Heartland (2007), Lost Girl (2010), Republic of Doyle (2010), Murdoch Mysteries (2008), as well as directing all the episodes of the HBO series The Line (2009), and two movies for Lifetime Network, Four Extraordinary Women (2006) starring Lindsay Wagner, and Home by Christmas (2006), starring Linda Hamilton.

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Total Films

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actor

0 Works

producer

5 Works

director

33 Works

writer

2 Works

other

7 Works

We're All in This Together

We're All in This Together

The members of the dysfunctional Parker family have had their fair share of complications. When matriarch Kate Parker miraculously survives plummeting over a waterfall in a barrel, a feat captured on a video that goes viral-,the Parkers have to do something they never thought possible: act like a real family.
4.5

Year:

2022

Gone Mom: The Disappearance of Jennifer Dulos

Gone Mom: The Disappearance of Jennifer Dulos

Jennifer Dulos, the wealthy, Connecticut mother-of-five who mysteriously vanished.
7.8

Year:

2021

Looking Is the Original Sin

Looking Is the Original Sin

An artist's daughter comes to terms with her mother's rough life and the connection they share.
0.0

Year:

2013

Terry

Terry

"Terry" tells the story of 21-year old amputee Terry Fox who attempted to run across Canada with only one leg. Unfortunately, he only made it to Thunder Bay, Ontario when he died, one month before his 23rd birthday yet his memories will live on forever in the hearts of Canadians everywhere.
6.2

Year:

2005

The Shower

The Shower

A feminine take on a Cassavetes drama, the film focuses on a group of women who have gathered for a surprise baby shower. However, as the female guests arrive (the household males having adjourned to an afternoon football game), the off-screen mother-to-be goes into premature labour, leaving the bored invitees to sip spiked punch and discuss the dearth of available men until the drunken boys return home, thus setting the stage for male/female confrontations, confessions and clumsy acts of copulation-notably while standing under a shower. An exploration of the contemporary trappings of male/female sexual politics.
3.5

Year:

1992