George Eells

Malice in Wonderland

Struggling actress Hedda Hopper can't get a break in Hollywood, even though an acquaintence of hers is the extremely powerful gossip monger Louella Parsons - maker and breaker of careers (and lives) through her daily syndicated newspaper column. The big movie moguls, fed up with Parson's power over their stars, decide to de-claw her by setting up gossip Hopper as a competitor in the rumour industry. What they couldn't forsee was that Hopper would become as big as Parsons -- and every bit as much of a pain. Based on the true life stories of two of the most powerful (and arguably dangerous) women of Hollywood's hay-day.

The New Cinema

Between the French La Nouvelle Vague and the Italian Neorealismo, Europe had been undergoing a continuous cinema transformation since the 1950s, while the ailing American studio system groaned under its own weight and inertia. New Hollywood had arrived with Bonnie and Clyde in 1967, and already by 1968 it was changing how Hollywood thought and acted. The student film scene was getting ready to explode, and it knew it.