Gianni Sbarra

Elective Affinities

After an architect (Fabrizio Bentivoglio) is invited to the home of his associate, the harmony of the place comes undone with the visitor's attraction to someone.

Night Sun

Based on Leo Tolstoy's novel, Father Sergius, Night Sun stars Julian Sands as Sergio, a nobleman in 18th-century Italy who is expected to marry a duchess, Nastassja Kinski. Upon learning that she was previously the King's mistress, Sergio turns his back on society and becomes a monk. While at the hermitage he tries to resist all sexual temptations before him and soon becomes known as a miracle worker. Eventually he succumbs to a young seductress and knowing he is undeserving of the adulation, leaves the hermitage to travel around as a homeless beggar.

Una notte, un sogno

Silvia, who lives in a villa in the hills, has a quarrel with her ​​husband and his friends and then goes away down to the city, where she has the bad luck of being attacked by a group of misfits. At her rescue is a photographer who, in turn, is in trouble for having witnessed a murder by the Chinese mafia...

Woman in the Moon

An Italian-American woman traveling to Sicily picks up a teenager who claims to be in trouble with some drug dealers.

My Dearest Son

A respectable lawyer finds out his son is a heroin addict. Heartbroken, he'll do anything to help his only child, even if it means sharing his hell.

The Night of the Shooting Stars

The Night of San Lorenzo, the night of the shooting stars, is the night when dreams come true in Italian folklore. In 1944, a group of Italians flee their town after hearing rumours that the Nazis plan to blow it up and that the Americans are about to arrive to liberate them.

Sweet Dreams

Michele criticizes the film industry and its inhabitants, and is particularly embattled with a Neapolitan director making a musical about the 1968 student demonstrations. At the same time, Michele has a creative block and struggles to finish his film titled "Freud’s Mother." Nanni Moretti’s self-inquiry into filmmaking, political ennui, and men’s relations with their mothers.

Men or Not Men

In Milan, in the winter of 1944, the ruthless Cane Nero leads the fascists against the partisans. Enne 2, one of the leading figures of the C.N.L., meets Berta, whom he loved three years ago, but Berta refuses to leave her husband for him. Enne 2 is pursued by the fascists of Cane Nero and, instead of running away to Turin, waits for Berta to rejoin him

Masoch

Aurora Rumelin is happy because the noble writer Leopold Sacher-Masoch has asked for her hand. Little by little the marriage goes into crisis mainly because Leopold asks his wife to beat him before sexual relations and to treat him like a slave. Both spouses have lovers and, in the end, the marriage ends in divorce.

The Meadow

Romantic entanglements develop between three young Italians frustrated by their current economic and social status.

Padre Padrone

The true story of the life of Gavino Ledda, the son of a Sardinian shepherd, and how he managed to escape his harsh, almost barbaric existence by slowly educating himself, despite violent opposition from his brutal father.

Allonsanfan

After the 1815 Restoration, an aging revolutionary finds himself reluctantly involved in an attempted insurrection in Southern Italy while growing increasingly disillusioned with his cause.

Corbari

The real story of the partisan Silvio Corbari (Giuliano Gemma). Silvio forms a band of partisans in Northern Italy, completely independent from the Italian organized resistance (CLN). Ines (Tina Aumont), leaves her husband to join the band and becomes Silvio's lover. Silvio seems to suceed in creating a free-zone, his personal republic, independent from Nazi-occupied Italy, in a little village called Tregnano.

The Damned Of The Earth

Upon his death, a young African director, Abramo Malonga, bequeathed his first and last unfinished film to his former teacher, the Italian director Fausto Morelli. Morelli, who after seeing the work, is confronted with a confusing, complex and, in part, incomprehensible work. Helped by the young widow of Abramo Malonga and by the notes left by his deceased friend, and again by his personal memories, the Italian director attempts to reconstruct and complete the film. Fausto's work progresses with difficulty, not only because of the problems the film poses for him, but because of the problems that arise in his daily life. After a long crisis, after which he returns to Pisa with his former party companions and abandons himself to love and his own solitude, Fausto takes up the work of his African friend, closing it with a final invention, in which , with a bold metaphor, has refigured the human condition of our time.

Under the Sign of Scorpio

An island has been decimated by a volcanic eruption and the few survivors escape to a nearby island. Led by Rutolo, they know that their new home is equally susceptible to such a catastrophe via its own volcano, but they are unable to convince the current inhabitants of Island #2 to flee with them to a mainland.