Giorgio Patara

Gli amici degli amici hanno saputo

Vincenzo is hired by mobster Salvatore and moves to Turin with his sister Annunziata. After witnessing a mafia hit, he is sent to France. On his return he discovers that his sister is no longer working but is instead performing as a stripper in a nightclub...

Our Lady of the Turks

To the protagonist, an intellectual so feverish that he seems pathologically unrecoverable, a confused memory resurfaces of a massacre carried out by the Turks in Otranto. Immersing himself in one of the victims, in the unconscious desire to eviscerate himself, a woman appears to him, Margherita, who, in the guise of Santa Maria d'Otranto, treats him with compassionate love. In the hallucinating succession of memories intertwined with historical events, the protagonist finds himself in contact with his environment, his land, his country.

Hermitage

Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.

I Kill, You Kill

Six sketches with as many ways of murdering someone, and getting away with it.

Un'ora prima di Amleto, più Pinocchio

Backstage short documentary on Carmelo Bene’s theatre works Amleto and Pinocchio.

Down with Uncle

Children playing on a graveyard.

Fata Morgana

Fata Morgana is the train that arrives in Milan coming from the south of Italy. It is the train of the “southern” migrants. They arrive with packages, luggage, wives, children, in the hope of the economic boom. But there is no place for them and the city pushes them to the periphery. Few manage to find work, but new men keep coming every day.