Goh Eng Wah

The Fairy, the Ghost & Ah Chung

Two young martial artists enter a martial arts tournament. They also have to deal with ghosts.

Hiroshima 28

Filmed on the occasion of the 28th anniversary of the bombing of Hiroshima, Hiroshima 28 was the first all-Hong Kong crew to make a feature in Japan. Lung Kong anchors a bittersweet melodrama in the historical milieu in the months following the horrific events of August 6, 1945. Josephine Siao—a star whose career had become synonymous with the filmmaker’s work over the past decade—plays a young tour guide to a Hong Kong reporter researching the tragic effects of the atom bomb, their journey forming an odyssey through the city’s ruins.

The Call Girls

A story of female sex workers across all social strata.

Pei Shih

Lung Kong collaborated with accomplished novelist Meng Jun to pen the script for this tale of heartbreak and doomed romance. The mounting despair of two solipsistic characters headed towards an emotionally shattering break-up is depicted through an elliptical series of flashbacks.

Five Plus Five

Comedy about five married couples — a pair of parents and their four daughters and sons-in-law. Li Li Hua plays the eldest girl, opposite her real-life husband Yean Chuan.

Yesterday, Today, Tomorrow

Inspired by Albert Camus’s The Plague, Yesterday, Today, Tomorrow is perhaps Lung Kong’s grandest vision, and a testament to his uncompromising humanist convictions. From a rat infestation in the slums, a fast-spreading virus grips Hong Kong, inducing panic when the government is slow to react. Mercilessly cut down by censors for its frank portrayal of class and political conflicts at the time of its release, the film found new critical acclaim in during the SARS outbreak decades later. In 2011, it was placed on Hong Kong Film Archive’s list of the 100 must-see Hong Kong films of all time.

The Devil Warrior

The Devil Warrior is a Hong Kong Martial Arts movie starring Sammo Hung

Teddy Girls

A revenge thriller unlike any other, Lung Kong confronts themes of reform and revenge by turning his focus to the subject of disaffected youth. Young Josephine, an audacious performance by a 22-year-old Josephine Siao, is sentenced to an all-girl reform school on the periphery of Hong Kong after a violent bar brawl. Along with a few accomplices, she escapes from the intolerable administration, only to find the streets an even more hostile environment, driving the girls to blood-soaked vengeance. An enthralling youth-in-revolt film from the rare perspective of its female protagonists, shot in indelible widescreen color photography, Teddy Girls is one of Lung Kong’s most enduring triumphs.