Gudie Lawaetz

Berlin-Jerusalem

Two interconnected stories in the 1930s, one set in Berlin, the other in Palestine: Mania Vilbouchevich Shohat (1880-1961), called Tania, a Russian Jew and revolutionary, goes from Minsk to Palestine to live on a collective. She promotes feminism and laments a shift in the men from self-defense to aggression. Her friend, Else Lasker-Schuler (1869 - 1945), expressionist poet and German Jew, is in Berlin, writing, caring for her son, watching Hitler's movement take power. She goes to Jerusalem and imagines a park for Arab and Jew. Her poems, voiced from within, capture her experience. The film meditates on the violence at the root of Israel's birth: of the Nazis and of the Zionists.

Mai 68

A montage film that begins in May 1, 68 and ends in mid-June. Everything is there: the students of Nanterre in revolt, the demonstrations, the cobbles, the barricades, the rioting nights, the busy Sorbonne, the happening of the Odeon, the factories on strike and Séguy who gets on the bandwagon , the general protest, 10 million French without work, de Gaulle and The reform, yes, the doglit, no, the Gaullist demonstration of May 30, Grenelle, the death of a high school student, the offensive Pompidou and the return in the factories.

Mudra-Afrique

Mudra Afrique, founded in 1977 in Dakar by Léopold Sédar Senghor and Maurice Béjart, was an important dance school that mixed traditional African dance with modern styles. Germaine Acogny, a skilled teacher, along with dancer, actress Irène Tassembédo and musician Doudou Rose Ndiaye, were key figures in the school. Their work helped Mudra Afrique leave a strong mark on African contemporary dance and music.