Gústav Geir Bollason

Mannvirki

The title of Gústav Geir Bollason’s first essay in feature-length filmmaking is bewitchingly matter of fact: Mannvirki means structure or building – it’s composed of two parts, where the first means person, and the second fortress. And this is exactly what Mannvirki is about. It shows people in a once-sturdy, now derelict building that could have been anything from a scientific research station to some army structure.

Mannvirki

The title of Gústav Geir Bollason’s first essay in feature-length filmmaking is bewitchingly matter of fact: Mannvirki means structure or building – it’s composed of two parts, where the first means person, and the second fortress. And this is exactly what Mannvirki is about. It shows people in a once-sturdy, now derelict building that could have been anything from a scientific research station to some army structure.

Mannvirki

The title of Gústav Geir Bollason’s first essay in feature-length filmmaking is bewitchingly matter of fact: Mannvirki means structure or building – it’s composed of two parts, where the first means person, and the second fortress. And this is exactly what Mannvirki is about. It shows people in a once-sturdy, now derelict building that could have been anything from a scientific research station to some army structure.

Carcasse

On a deserted peninsula, a group lives amidst relics from contemporary society. Part of a plane serves as a sheep shed, a car inner tube as futuristic Tupperware. Is this a parallel world or are we in the near future?