Gustavo Galvão

O Vazio de Domingo à Tarde

Mônica is an actress in a crisis triggered by the overexposure of her life as a celebrity. Young Kelly is not aware of that when she unsuccessfully tries to speak to Mônica as she is leaving a film shooting, in Brazil's countryside. Kelly will not give up and decides to try to meet her muse again.

Until the Music is Over

Chiara is the matriarch of an Italian-descendent family torn apart. After her youngest son moves out, she decides to go along with Alfredo, her husband, on his trips as a salesman in the bars of Serra Gaucha. Their trust in each other breaks down when Chiara finds out about Alfredo's life on the road and he realizes she hides something too. A turtle and decks of cards with put their fifty-year relationship to the test.

The First Death of Joana

Late summer of 2007, South of Brazil. Joana, 13, wants to find out why her great-aunt Rosa died at 70 without ever having dated anyone. Encouraged by her friend Carolina, Joana starts an investigation about Rosa’s past. As she confronts the values of her community, Joana realizes that all the women in her family have a secret, while something hidden inside her also reveals. She plunges into her imagination to find answers while a large wind power plant is being built in their small town.

We Still Have the Deep Black Night

Karen sings and plays the trumpet in a vigorous rock band in Brasilia, but no one there is interested in it. At 27, she has lost hope in the city her grandfather helped to build. She follows in the footsteps of her ex-partner in the band, Artur, and tries her luck in Berlin.

Nalu on the Border

Nalu lives with Ruben, her father, in a small country town near the Brazilian border with Uruguay. When Ruben realizes that his daughter is becoming a woman, an ambiguous closeness begins to develop between them.

Uma Noite com Ela

In a small elevator, a man and a woman prepare for a night out for two. And now? At night, anything can happen.