Аватар персоны Han Jie

Han Jie

Director
No biography

01-01-1977

Birthday

Capricorn

Zodiac Sign

-

Genres

0

Total Films

Also known as (male)

Place of Birth

Popular works

Creative career

actor

0 Works

producer

0 Works

director

10 Works

writer

2 Works

other

3 Works

Unserious Hero

Unserious Hero

A staff member of a game company came to a historical museum in the border city of China. They are Wu Mi, a second-generation rich man, Mei Feng, a graduating internationaire, and Andrew, a Russian drunkard. The three inadvertently crossed...
6.0

Year:

2018

Namiya

Namiya

Xiao Bo, is one of three orphans on the run who take refuge in a derelict corner store. Once there, they find a mysterious letter seeking advice, ending up in adventure in time and finding unexpected connections with their own past.
5.8

Year:

2017

Mr. Tree

Mr. Tree

Teased by hallucinations, Shu, a slacker living in a rural village, struggles with an ever-loosening grip on reality. Yet when one of his visions manifests as real, his fellow villagers come to regard him as a clairvoyant. Can Shu genuinely see into the future? Is he actually just a basket case? Or is he perhaps more lucid than he seems, and pulling a fast one on everyone?
7.0

Year:

2011

Mr. Tree

Mr. Tree

Teased by hallucinations, Shu, a slacker living in a rural village, struggles with an ever-loosening grip on reality. Yet when one of his visions manifests as real, his fellow villagers come to regard him as a clairvoyant. Can Shu genuinely see into the future? Is he actually just a basket case? Or is he perhaps more lucid than he seems, and pulling a fast one on everyone?
7.0

Year:

2011

Useless

Useless

Observations of three varied corners of China’s garment industry: workers in a large-scale production line factory; a designer who rallies against the mass-machine-production of clothes and has created the eponymous hand-made collection called ‘Useless’ (Wuyong) for Paris Fashion Week; and finally the simple life of increasingly out-of-work tailors in small town Fengdang.
6.4

Year:

2008

Useless

Useless

Observations of three varied corners of China’s garment industry: workers in a large-scale production line factory; a designer who rallies against the mass-machine-production of clothes and has created the eponymous hand-made collection called ‘Useless’ (Wuyong) for Paris Fashion Week; and finally the simple life of increasingly out-of-work tailors in small town Fengdang.
6.4

Year:

2008

The Three Warrior Impostors

The Three Warrior Impostors

On August of 2015, three men from Manzhouli, located on the borders of China, Russia, and Mongol, suddenly travel back in time to 1945, and experience the horror and tragedy of war between local guerilla unit and the Japanese stragglers.
0.0

Year:

-

Still Life

Still Life

A town in Fengjie county is gradually being demolished and flooded to make way for the Three Gorges Dam. A man and woman visit the town to locate their estranged spouses, and become witness to the societal changes.
7.2

Year:

2006

Walking on the Wild Side

Walking on the Wild Side

Han Jie’s feature debut draws on his own experiences growing up in a desolate mining district in northern China’s Shanxi province. A Chinese road movie, Walking on the Wild Side charts a young gang’s continuous flights from one kind of trouble to the next. Mirroring the stark and barren landscape, the film relays the grim story of these delinquents’ dreams of liberty and easy money. Played by nonprofessional actors who are real life troublemakers, the film offers a realism that is at once oppressive, cruel, and sympathetic.
6.0

Year:

2006

Walking on the Wild Side

Walking on the Wild Side

Han Jie’s feature debut draws on his own experiences growing up in a desolate mining district in northern China’s Shanxi province. A Chinese road movie, Walking on the Wild Side charts a young gang’s continuous flights from one kind of trouble to the next. Mirroring the stark and barren landscape, the film relays the grim story of these delinquents’ dreams of liberty and easy money. Played by nonprofessional actors who are real life troublemakers, the film offers a realism that is at once oppressive, cruel, and sympathetic.
6.0

Year:

2006