Harvey Hubbell V

Dislecksia: The Movie

Dislecksia: The Movie, dyslexic director Harvey Hubbell V and crew explore Hubbell's own experiences about growing up as a dyslexic while also looking into the latest scientific research and educational developments regarding the condition. They examine how the education system in the US handles students with learning disabilities, and explore ways in which this treatment can be changed to improve the social status of dyslexics. And along the way, they meet a variety of dyslexics from very different backgrounds who share their experiences and demonstrate that dyslexics are not disabled - just different.

Dislecksia: The Movie

Dislecksia: The Movie, dyslexic director Harvey Hubbell V and crew explore Hubbell's own experiences about growing up as a dyslexic while also looking into the latest scientific research and educational developments regarding the condition. They examine how the education system in the US handles students with learning disabilities, and explore ways in which this treatment can be changed to improve the social status of dyslexics. And along the way, they meet a variety of dyslexics from very different backgrounds who share their experiences and demonstrate that dyslexics are not disabled - just different.

Electronic Road Film: An American Odyssey

In 1989, Harvey Hubbell V loaded his nephew TJ, a camera, and a bunch of tape and batteries into a Volkswagen hatchback and drove a 13,000 mile loop around the country. This documentary travelogue shows what happens when you can shoot 24 hours a day for 60 days. Shot on a $15,000 budget at the height of the "culture wars," it reveals the unique differences of a still unhomogenized citizenry, and concludes that "People who are different from us are not necessarily our enemies."

Electronic Road Film: An American Odyssey

In 1989, Harvey Hubbell V loaded his nephew TJ, a camera, and a bunch of tape and batteries into a Volkswagen hatchback and drove a 13,000 mile loop around the country. This documentary travelogue shows what happens when you can shoot 24 hours a day for 60 days. Shot on a $15,000 budget at the height of the "culture wars," it reveals the unique differences of a still unhomogenized citizenry, and concludes that "People who are different from us are not necessarily our enemies."

Electronic Road Film: An American Odyssey

In 1989, Harvey Hubbell V loaded his nephew TJ, a camera, and a bunch of tape and batteries into a Volkswagen hatchback and drove a 13,000 mile loop around the country. This documentary travelogue shows what happens when you can shoot 24 hours a day for 60 days. Shot on a $15,000 budget at the height of the "culture wars," it reveals the unique differences of a still unhomogenized citizenry, and concludes that "People who are different from us are not necessarily our enemies."

Who Do I Gotta Kill?

A struggling writer takes a job for his mobster uncle in order to obtain first-hand material for a book on conspiracy plots and the JFK assassination. They often say that a good writer lives what he writes, but what happens when the life that the writer is living could likely get him killed?

Deadly Manor

A group of teenagers take refuge in an old, deserted mansion. Soon the members of the group start turning up dead, and the teenagers realize that they're not alone in the mansion.