Heo Chul-nyung

206: Unearthed

After the dissolution of the Truth and Reconciliation Commission, which was launched as a South Korean government organization in 2005, civic groups and bereaved families wishing to complete the mission the government had failed to accomplish form a joint organization to investigate the remains of civilians who were massacred during the Korean War. A three-year-long documentary about the organization’s three-year-long excavation efforts, 206: Unearthed is a record of sunlight, dirt, and sweat.

206: Unearthed

After the dissolution of the Truth and Reconciliation Commission, which was launched as a South Korean government organization in 2005, civic groups and bereaved families wishing to complete the mission the government had failed to accomplish form a joint organization to investigate the remains of civilians who were massacred during the Korean War. A three-year-long documentary about the organization’s three-year-long excavation efforts, 206: Unearthed is a record of sunlight, dirt, and sweat.

The Whispering Trees

A documentary about 90-year-old KIM Mal-hae who never gives up on life even on the threshold of death. This film depicts tragic moments in Korean society starting with the National Bodo League Massacre and the more recent struggle against the building of transmission towers in Miryang, revealing the sometimes silent and sometimes defiant personal struggle of one elderly woman. “If only I could read, then my life would have a beginning and end” is the start of what will be Mal-hae’s first and last confession.

Bamseom Pirates Seoul Inferno

Grindcore punks Bamseom Pirates make music suitable for a sick society.

Non Fiction Diary

What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion by the two detectives who arrested the gangsters, of details of the roundup, data screens, and the death sentence. Nevertheless, Nonfiction Diary’s focus is not on the crime story. Starting from Jijon-pa onwards, the film reflects on the 1990s, when Korea digressed into contemporary history. The Seongsu Bridge and the Sampoong Department Store’s collapses are recalled, followed by the then-government’s punishment of the May 18 Uprising leaders, revealing the Korean legal system’s death penalty status, touching on political and power issues. The audience is reminded that today, 2013, is an extension of that same flow.