Hernán Hevia

No va más

Isolated in his apartment, old and forgotten by almost everyone —whom, in turn, he has also forgotten— Rafael occupies the hours of his daily life with various rituals and repetitions.

(How) To Be Dead

A young man decides to self-examine. He escapes from school and meets two friends who do not know his plan. They spend the whole day wandering around the center of Buenos Aires. Finally, the young man leaves his friends in a train while they sleep. The young man, alone, wanders through the city through the night. Security cameras monitor the city, but the young man disappears.

At Peace

A lonely engineer is intercepted by a young thief, to whom he offers to give all his money with the condition that they share a dinner together. This leads to a conversation that will put their thoughts and faith in life to test.

La mirada febril

Film made to commemorate the first 10 years of BAFICI. The film alternates fictional scenes of a couple of spectators in different situations at BAFICI, with interviews and testimonies of important figures in the history of the festival. The first series captures a certain spectator spirit of the festival, while the second accumulates successes, built by reading texts and with interviews with central actors of the film scene in Argentina.

La mirada febril

Film made to commemorate the first 10 years of BAFICI. The film alternates fictional scenes of a couple of spectators in different situations at BAFICI, with interviews and testimonies of important figures in the history of the festival. The first series captures a certain spectator spirit of the festival, while the second accumulates successes, built by reading texts and with interviews with central actors of the film scene in Argentina.

The Stolen Man

A young Argentinian woman who works as a museum guide uses her passion - reading - as a means of expression to channel the emotional and working lives of those around her.

About Buenos Aires

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

Esas cuatro notas

A film about the Argentine opera

Esas cuatro notas

A film about the Argentine opera

Crane World

The portrait of a man and his attempts to make things up with life after losing his job.