Аватар персоны Hito Steyerl

Hito Steyerl

DirectorActor
Hito Steyerl (born 1966 in Munich) is a German filmmaker, visual artist, writer, and innovator of the essay documentary. Her principal topics of interest are media, technology, and the global circulation of images. Steyerl holds a PhD in Philosophy from the Academy of Fine Arts Vienna. She is currently a professor of New Media Art at the Berlin University of the Arts, where she co-founded the Research Center for Proxy Politics, together with Vera Tollmann, Maximilian Schmoetzer, and Boaz Levin.

01-01-1966

Birthday

Capricorn

Zodiac Sign

-

Genres

3

Total Films

Also known as (female)

Munich, Germany

Place of Birth

Popular works

Creative career

actor

3 Works

producer

0 Works

director

29 Works

writer

0 Works

other

4 Works

The Business of Thought: A Recorded History of Artists Space

The Business of Thought: A Recorded History of Artists Space

An oral history of Artists Space, the legendary New York artists organization. Told through the voices of the artists, critics and curators who formed it, the film is narrated by voiceover culled from 30 hours of archival cassette tape interviews over a 45 year period. Artists such as Laurie Anderson, Mike Kelley, Hito Steyerl and David Wojnarowicz walk us through the decades. A formally-experimental and raucously-told chronology composed of rare archival documentation, The Business of Thought... is a reminder of the radical potential of the arts and the importance of collective, cultural spaces.
0.0

Year:

2020

Strike II

Strike II

In Strike II, the artist and her daughter hit the camera with a pair of hammers, attacking image-making apparatus and representation.
0.0

Year:

2012

Lovely Andrea

Lovely Andrea

If all pictures became current, in that they pass by and in doing so, are connectable with one another, whether elegantly or obscenely, through translation or association—how would it be possible to fasten down a picture? Hito Steyerl’s light-hearted picture translations are about fastening things in an elegant-obscene way: In Tokyo she is looking for a photo series that she posed for in 1987 as a “rope bondage” model. While making inquiries with experts and authorities in the bondage arts (which are mainly marketed online nowadays), she found what she was looking for in a magazine archive. The cinematic tension is extremely high just now says the translator while Steyerl looks through photos of herself from her days as a film student.
8.0

Year:

2007