Аватар персоны Hugh O'Donnell

Hugh O'Donnell

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Total Films

Also known as (female)

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Creative career

actor

0 Works

producer

6 Works

director

7 Works

writer

0 Works

other

1 Works

Death Wish 3

Death Wish 3

Architect/vigilante Paul Kersey arrives back in New York City and is forcibly recruited by a crooked police chief to fight street crime caused by a large gang terrorizing the neighborhoods.
6.2

Year:

1985

The Killing Fields

The Killing Fields

New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.
7.5

Year:

1984

Screamtime

Screamtime

Compilation of three short horror films: "That's The Way To Do It", "Dreamhouse" and "Do You Believe In Fairies?" plus some new linking material.
4.3

Year:

1983

Xtro

Xtro

Tony's father Sam, abducted by aliens three years earlier, returns to earth and seeks out his wife and son, but Rachel has since been living with Joe and the reunion is awkward. Joe doesn't trust Sam, and Rachel can't quite decide what her feelings are for her two men. Sam is not the same as when he left, and he begins affecting Tony in frightening ways.
5.8

Year:

1982

An Unsuitable Job for a Woman

An Unsuitable Job for a Woman

After finding her boss, a private detective, has committed suicide and has left her his agency, Cordelia Gray is asked to investigate the suicide of the man's son. During the course of her investigation, Cordelia becomes obsessed with the young man's memory and his increasingly suspicious death.
5.7

Year:

1982

Phoelix

Phoelix

An aged art connoisseur (Beaumont) and his young female neighbour (Coles), who has a job posing naked in a club, meet and exist in fantasy and reality. Although this raises certain much-discussed questions about the nature of representation, and about the construction of narrative and daydreams in films, 'Phoelix' tends to treat these as just pretty and pertinent issues, opting instead for a mannered concentration on detail.
0.0

Year:

1979