Hunsur Krishnamurthy

Guru Sarvabhouma Sri Raghavendra Karune

Guru Sarvabhowma Sri Raghavendra Karune is a wonderful devotional movie that speaks about the hardships a true devotee faces while he is being tested.

Guru Sarvabhouma Sri Raghavendra Karune

Guru Sarvabhowma Sri Raghavendra Karune is a wonderful devotional movie that speaks about the hardships a true devotee faces while he is being tested.

Guru Sarvabhouma Sri Raghavendra Karune

Guru Sarvabhowma Sri Raghavendra Karune is a wonderful devotional movie that speaks about the hardships a true devotee faces while he is being tested.

Babruvahana

Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.

Babruvahana

Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.

Babruvahana

Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.

Babruvahana

Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.

Pavanaganga

Film with music from S. Janaki and others.

Bhaktha Kumbara

Bhakta Kumbara is a 1974 Indian Kannada biographical film, directed by Hunsur Krishnamurthy and produced by N R Anuradha Devi. The film stars Rajkumar, Leelavati and Balkrishna in lead roles. The film had a musical score by G.K. Venkatesh. Actress Sridevi essayed the role of Muktha Bai (as a child artist), thereby the latter making her Kannada film debut. The movie is based on the life of Gora Kumbhar, a potter turned into a saint who lived in the 13th and 14th centuries in Teredoki village. He supposedly lost his child while curing the clay by his legs for making pots, because he did not notice his child fumbling under his feet as he immersed himself in chanting the name of God. He was called Saint Gora Kumbara by the people of Maharashtra.

Bhaktha Kumbara

Bhakta Kumbara is a 1974 Indian Kannada biographical film, directed by Hunsur Krishnamurthy and produced by N R Anuradha Devi. The film stars Rajkumar, Leelavati and Balkrishna in lead roles. The film had a musical score by G.K. Venkatesh. Actress Sridevi essayed the role of Muktha Bai (as a child artist), thereby the latter making her Kannada film debut. The movie is based on the life of Gora Kumbhar, a potter turned into a saint who lived in the 13th and 14th centuries in Teredoki village. He supposedly lost his child while curing the clay by his legs for making pots, because he did not notice his child fumbling under his feet as he immersed himself in chanting the name of God. He was called Saint Gora Kumbara by the people of Maharashtra.

Bhaktha Kumbara

Bhakta Kumbara is a 1974 Indian Kannada biographical film, directed by Hunsur Krishnamurthy and produced by N R Anuradha Devi. The film stars Rajkumar, Leelavati and Balkrishna in lead roles. The film had a musical score by G.K. Venkatesh. Actress Sridevi essayed the role of Muktha Bai (as a child artist), thereby the latter making her Kannada film debut. The movie is based on the life of Gora Kumbhar, a potter turned into a saint who lived in the 13th and 14th centuries in Teredoki village. He supposedly lost his child while curing the clay by his legs for making pots, because he did not notice his child fumbling under his feet as he immersed himself in chanting the name of God. He was called Saint Gora Kumbara by the people of Maharashtra.

Bhaktha Kumbara

Bhakta Kumbara is a 1974 Indian Kannada biographical film, directed by Hunsur Krishnamurthy and produced by N R Anuradha Devi. The film stars Rajkumar, Leelavati and Balkrishna in lead roles. The film had a musical score by G.K. Venkatesh. Actress Sridevi essayed the role of Muktha Bai (as a child artist), thereby the latter making her Kannada film debut. The movie is based on the life of Gora Kumbhar, a potter turned into a saint who lived in the 13th and 14th centuries in Teredoki village. He supposedly lost his child while curing the clay by his legs for making pots, because he did not notice his child fumbling under his feet as he immersed himself in chanting the name of God. He was called Saint Gora Kumbara by the people of Maharashtra.

Boothayyana Maga Ayyu

Following the death of his ruthless landlord father, Ayyu earns the wrath of his villagers. But his biggest enemy is Gulla, who tries to stand against him in order to protect the locals.

Doorada Betta

The film starred Rajkumar and Bharathi Vishnuvardhan. It had Balakrishna, K. S. Ashwath and Sampath playing supporting roles. The film, along with Mooruvare Vajragalu (1973), was Rajkumar's last movie in black-and-white. However, this movie had a few sequences shot in colour. This was also the last film where Rajkumar and Bharathi were seen together. This was also Rajkumar's last collaboration with Siddalingaiah. The film is seen as a landmark in the career of Siddalingaiah.The movie saw a theatrical run of 25 weeks.

Jaga Mecchida Maga

Jaga Mechhida Maga is a 1972 Indian Kannada-language swashbuckler film directed by Hunsur Krishnamurthy and produced & written by S. Bhavanarayan. It starred Rajkumar and Bharathi. Satyam scored and composed the music to the lyrics written by Hunsur Krishnamurthy

Jaga Mecchida Maga

Jaga Mechhida Maga is a 1972 Indian Kannada-language swashbuckler film directed by Hunsur Krishnamurthy and produced & written by S. Bhavanarayan. It starred Rajkumar and Bharathi. Satyam scored and composed the music to the lyrics written by Hunsur Krishnamurthy

Jaga Mecchida Maga

Jaga Mechhida Maga is a 1972 Indian Kannada-language swashbuckler film directed by Hunsur Krishnamurthy and produced & written by S. Bhavanarayan. It starred Rajkumar and Bharathi. Satyam scored and composed the music to the lyrics written by Hunsur Krishnamurthy

Bhale Huchcha

Bhale Huchcha is a 1972 Indian Kannada-language film directed by Y. R. Swamy and produced by Gopal Lakshman. It stars Rajkumar and Aarathi. This film was dubbed into Telugu as Dasara Picchodu and released in 1973. This was the only Kannada movie of actress Helen.

Maduve Madi Nodu

Maduve Madi Nodu is a 1965 Indian Kannada-language film, directed by Hunsur Krishnamurthy and produced by Nagi Reddi and Chakrapani. The film stars Rajkumar, R. Nagendra Rao, Udaykumar and Narasimharaju. The movie was a profitable venture and was declared a super hit.

Maduve Madi Nodu

Maduve Madi Nodu is a 1965 Indian Kannada-language film, directed by Hunsur Krishnamurthy and produced by Nagi Reddi and Chakrapani. The film stars Rajkumar, R. Nagendra Rao, Udaykumar and Narasimharaju. The movie was a profitable venture and was declared a super hit.

Maduve Madi Nodu

Maduve Madi Nodu is a 1965 Indian Kannada-language film, directed by Hunsur Krishnamurthy and produced by Nagi Reddi and Chakrapani. The film stars Rajkumar, R. Nagendra Rao, Udaykumar and Narasimharaju. The movie was a profitable venture and was declared a super hit.

Pathala Mohini

Pathala Mohini is a 1965 Indian Kannada film, directed by "S N Singh" and Produced by "S N Singh.The film Stars "Vanishree, Prathimadevi, B M Venkatesh, Narasimharaju, Balakrishna, Eshwarappa, M N Lakshmidevi", in lead roles. The film had musical score by "Rajan-Nagendra".

Sathya Harishchandra

This movie is based on the great poet Raghavanka's 'Harishchandra Kavya'. Satya Harishchandra is an epic based on the mythological King Raja Harishchandra who was renowned for upholding truth under any circumstance. So much is his resolve that Harishchandra and his family are sold into bondage and separated.

Sathya Harishchandra

This movie is based on the great poet Raghavanka's 'Harishchandra Kavya'. Satya Harishchandra is an epic based on the mythological King Raja Harishchandra who was renowned for upholding truth under any circumstance. So much is his resolve that Harishchandra and his family are sold into bondage and separated.

Sathya Harishchandra

This movie is based on the great poet Raghavanka's 'Harishchandra Kavya'. Satya Harishchandra is an epic based on the mythological King Raja Harishchandra who was renowned for upholding truth under any circumstance. So much is his resolve that Harishchandra and his family are sold into bondage and separated.

Sri Dharmasthala Mahathme

Sri Dharmasthala Kshetra of Lord Shiva. Story of the greatness of this holy place

Bhaktha Kanakadasa

Bhakta Kanakadasa is a 1960 Indian Kannada language film, directed by Y. R. Swamy. It depicts the spiritual journey of Kanakadasa, who was a devotee of the Hindu deity Krishna, and a poet belonging to the Dasa sect. The film stars Rajkumar, Krishna Kumari and Udaykumar in the major roles. This film, officially marked the 100th production/release of Kannada cinema, since its inception in 1934.

Bhaktha Kanakadasa

Bhakta Kanakadasa is a 1960 Indian Kannada language film, directed by Y. R. Swamy. It depicts the spiritual journey of Kanakadasa, who was a devotee of the Hindu deity Krishna, and a poet belonging to the Dasa sect. The film stars Rajkumar, Krishna Kumari and Udaykumar in the major roles. This film, officially marked the 100th production/release of Kannada cinema, since its inception in 1934.

Bhaktha Kanakadasa

Bhakta Kanakadasa is a 1960 Indian Kannada language film, directed by Y. R. Swamy. It depicts the spiritual journey of Kanakadasa, who was a devotee of the Hindu deity Krishna, and a poet belonging to the Dasa sect. The film stars Rajkumar, Krishna Kumari and Udaykumar in the major roles. This film, officially marked the 100th production/release of Kannada cinema, since its inception in 1934.

Sodari

Sodari is a 1955 Indian Kannada-language film directed by T. V. Singh Thakur. The film stars Pandari Bai, Narasimha Raju and Rajkumar. The music for the film was composed by Padmanabha Shasthri. The story of the film is based on the life of Hemavati, the pious wife of King Kailasanatha. She faces numerous hardships along with her children when Kailasanatha loses his kingdom due to a drought. The actress Jayashree plays a negative role of Chanchaladevi, a cunning relative of Hemavati. The movie is based on GV Iyer's stage play Anna Thangi which was based on the popular legend of Nalla Thangaal whose story had earlier been adapted in Malayalam in 1950 as Nalla Thanka and later in Tamil as Nalla Thangal (1955).

Sodari

Sodari is a 1955 Indian Kannada-language film directed by T. V. Singh Thakur. The film stars Pandari Bai, Narasimha Raju and Rajkumar. The music for the film was composed by Padmanabha Shasthri. The story of the film is based on the life of Hemavati, the pious wife of King Kailasanatha. She faces numerous hardships along with her children when Kailasanatha loses his kingdom due to a drought. The actress Jayashree plays a negative role of Chanchaladevi, a cunning relative of Hemavati. The movie is based on GV Iyer's stage play Anna Thangi which was based on the popular legend of Nalla Thangaal whose story had earlier been adapted in Malayalam in 1950 as Nalla Thanka and later in Tamil as Nalla Thangal (1955).

Sodari

Sodari is a 1955 Indian Kannada-language film directed by T. V. Singh Thakur. The film stars Pandari Bai, Narasimha Raju and Rajkumar. The music for the film was composed by Padmanabha Shasthri. The story of the film is based on the life of Hemavati, the pious wife of King Kailasanatha. She faces numerous hardships along with her children when Kailasanatha loses his kingdom due to a drought. The actress Jayashree plays a negative role of Chanchaladevi, a cunning relative of Hemavati. The movie is based on GV Iyer's stage play Anna Thangi which was based on the popular legend of Nalla Thangaal whose story had earlier been adapted in Malayalam in 1950 as Nalla Thanka and later in Tamil as Nalla Thangal (1955).

Jaganmohini

A seductress falls in love with a prince and tries to steal him from his fiancée.