Hyndra
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Total Films
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Also Known As (female)
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Total Films
Also known as (female)
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Total Films
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Also Known As (female)
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director
24 Works
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other
13 Works

IrRita
No one better than Rita Lee to irritate boring people.Year:
2023

IrRita
No one better than Rita Lee to irritate boring people.Year:
2023

Mar que incendeia
When the waters meet, they're each other's reflection.Year:
2023

Mar que incendeia
When the waters meet, they're each other's reflection.Year:
2023

Mar que incendeia
When the waters meet, they're each other's reflection.Year:
2023

LeeGal
When TropiGal and IrRita meet it can only be LeeGal.Year:
2023

LeeGal
When TropiGal and IrRita meet it can only be LeeGal.Year:
2023

Eugênia e Fausto
Eugenia and Fausto watch a film based on Nelson Rodrigues.Year:
2023

Eugênia e Fausto
Eugenia and Fausto watch a film based on Nelson Rodrigues.Year:
2023

Eugênia e Fausto
Eugenia and Fausto watch a film based on Nelson Rodrigues.Year:
2023

TropiGal
Gal Costa is the greatest singer in Brazil. From João Gilberto in Bahia to Tropicália and the memories of more than 50 years of career, what remains is the trance of his voice and enchantment on show stage.Year:
2023

TropiGal
Gal Costa is the greatest singer in Brazil. From João Gilberto in Bahia to Tropicália and the memories of more than 50 years of career, what remains is the trance of his voice and enchantment on show stage.Year:
2023

A dama de todos
In honor of the 45th anniversary of the film A dama do lotação (1978) directed by Neville D'Almeida, based on the work of Nelson Rodrigues and starring Sonia Braga and a great cast. A dama do lotação (1978) continues to be one of the highest-grossing films in Brazilian cinema. In fragments, Sonia Braga tells what it was like to play the lady.Year:
2022

A dama de todos
In honor of the 45th anniversary of the film A dama do lotação (1978) directed by Neville D'Almeida, based on the work of Nelson Rodrigues and starring Sonia Braga and a great cast. A dama do lotação (1978) continues to be one of the highest-grossing films in Brazilian cinema. In fragments, Sonia Braga tells what it was like to play the lady.Year:
2022

Cinema, teatro
Cinema was born as a double of the theater. Throughout history, these two artistic languages have connected in expression and distanced in experience. In three acts interspersed with fragments of Brazilian films and interviews, the aim is to reflect on concepts related to popular art, the state and freedom.Year:
2022

Cinema, teatro
Cinema was born as a double of the theater. Throughout history, these two artistic languages have connected in expression and distanced in experience. In three acts interspersed with fragments of Brazilian films and interviews, the aim is to reflect on concepts related to popular art, the state and freedom.Year:
2022

By the waves the margins are licked
Movie posters are creations aimed at the dissemination of audiovisual pieces. When appreciated together, they can be understood from other elements. This film proposes to explore narratives about the feminine, told by posters, throughout Brazilian cinema.Year:
2022

By the waves the margins are licked
Movie posters are creations aimed at the dissemination of audiovisual pieces. When appreciated together, they can be understood from other elements. This film proposes to explore narratives about the feminine, told by posters, throughout Brazilian cinema.Year:
2022

Persuasivas Ficções
Guided by the text “Persuasive Fictions” by Marilyn Strathern, the film proposes a reflection on anthropology, its disputes and criticisms, throughout its history and consolidation as a science in the 20th and 21st centuries. This short film uses excerpts from Brazilian filmography and is willing to reflect on the construction of narratives.Year:
2022

Persuasivas Ficções
Guided by the text “Persuasive Fictions” by Marilyn Strathern, the film proposes a reflection on anthropology, its disputes and criticisms, throughout its history and consolidation as a science in the 20th and 21st centuries. This short film uses excerpts from Brazilian filmography and is willing to reflect on the construction of narratives.Year:
2022

Sete Constituições
In the light of political debates, the film seeks to reflect on the historical paths of the seven Brazilian constitutions. Through fragments of films and archives, it proposes to anthropologically analyze some particularities of each constitution and its relations with nationalism, the state, democracy and power.Year:
2021

Sete Constituições
In the light of political debates, the film seeks to reflect on the historical paths of the seven Brazilian constitutions. Through fragments of films and archives, it proposes to anthropologically analyze some particularities of each constitution and its relations with nationalism, the state, democracy and power.Year:
2021

Etnografia não é método
Through cinema, it is possible to recognize situations and think about them theoretically from other perspectives. Inspired by the discussion of the classic text by Mariza Peirano. The film uses excerpts from Brazilian filmography to reflect anthropological concepts such as culture, politics, ethnographic field and identity.Year:
2021

Etnografia não é método
Through cinema, it is possible to recognize situations and think about them theoretically from other perspectives. Inspired by the discussion of the classic text by Mariza Peirano. The film uses excerpts from Brazilian filmography to reflect anthropological concepts such as culture, politics, ethnographic field and identity.Year:
2021