Ian Pringle
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Total Films
Also known as (female)
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Total Films
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Also Known As (female)
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Place of Birth
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Birthday
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Zodiac Sign
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Genres
0
Total Films
Also known as (female)
Place of Birth
-
Birthday
-
Zodiac Sign
-
Genres
0
Total Films
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Also Known As (female)
-
Place of Birth
actor
0 Works
producer
5 Works
director
15 Works
writer
3 Works
other
1 Works

The Legend Maker
A professional forger comes under threat from a predatory crime ring in Ian Pringle's first feature in more than two decades.Year:
2014

Romper Stomper
Nazi skinheads in Melbourne take out their anger on local Vietnamese, who are seen as threatening racial purity. Finally the Vietnamese have had enough and confront the skinheads in an all-out confrontation, sending the skinheads running. A woman who is prone to epileptic seizures joins the skins' merry band, and helps them on their run from justice, but is her affliction also a sign of impurity?Year:
1992

Lover Boy
In suburban Melbourne, an awkward and inexperienced teenage boy and a mature woman come to discover the full force of their sexuality.Year:
1989

Celia
An imaginative and somewhat disturbed young girl fantasizes about evil creatures and other oddities to mask her insecurities while growing up in rural Australia.Year:
1989

The Tale of Ruby Rose
The year is 1933. Ruby Rose (Melita Jurisic) is an Australian woman living with her Welsh immigrant husband Henry (Chris Haywood) in the Tasmanian highlands. Cut off from her superjudgmental family, for whom Henry had once worked as a humble farm hand, Ruby remains isolated in her tiny house. Superstitiously terrified of the dark, she begins developing her own folklore about the inky blackness that surrounds her each night; this folklore eventually develops into Ruby's own personal religion, created to ward off the evils that she imagines lurk in every corner. Only by venturing out of her house and rekindling her relationship with her embittered father is Ruby able to exorcise her fears. Almost hypnotic in its stark beauty, Tale of Ruby Rose is proof enough that writer/director Roger Scholes deserves to be far better known.Year:
1988