Ian W. Hill

Balancing on a Molecule (Dirt: Part Three)

A collage of poetic imagery, music, and invocatory language, the film follows two men in a series of esoteric experiments. Their words gives rise to desert landscapes, populated by sweat lodges, snakes, and an unusual game of tennis.

Spiral Garage

A symbolic journey through a hypercritical world of continual insults and retaliations.

The Linen Closet

An older woman opens a closet door and finds a key to her confused, fading memories. Hearing and vision loss isolate her, and her mental confusion keeps her suspended in the tactile sensations of the immediate present. The touch of old linen brings back old family history, both pleasant and traumatic. Based on an improvised dialogue.

Privy

A young woman is forced to live with an unsympathetic stepmother, and spends much of her time in an outhouse, escaping into books and her own vivid fantasy life.

Invincible City

In a city of dead ideas, dry, brittle conversations, and trembling, crystallized buildings, two men seek the proper approach to take towards the end of the world. Should one sit back, writing notes in a crumbling notebook, or should one rush headlong into the flames?

Epistolary Fusillades

Shattered mind, shattered images, shattered culture. Fragmented messages bombard us from all directions, like a barrage of letters from every corner of the globe. Should the artist "hold the mirror ball" up to nature, and mesmerize the populace with fractured distractions? Is our decentralized culture doomed to incoherence? Or can the artist build new meanings through the technique of collage? Based on an improvisation.

Marvelous Discourse

Language passes through the body, meaty, corporeal, and breathing. Do you adopt the stereotypically "male" strategy of verbally lunging at your opponent, trying to skewer him rhetorically, or do you adopt the "feminine" approach, like the Oracle of Delphi, and open your body to allow voices from the beyond to speak through you? "Marvelous Discourse" uses cave art, shadow puppets, and a visit to a caf? in the Israeli town of Endor, among many other images, to explore the gendered experience of language-in-the-body. The text for the video is completely improvised by the actors, as a spectacular example of language unfolding from an intuitive physicality.