Ilan Moscovitch

Laila in Haifa

The film was shot entirely in a nightclub, with an adjoining contemporary art gallery, whose customers are both Israelis and Palestinians, in one of Israel’s most open cities, Haifa. A long night in a place where the most diverse people meet: Jews, Muslims, gays, heterosexuals, transvestites; and three women, who in that multifaceted microcosm, a gathering peaceful hideout, can find shelter from male bullying and arrogance.

A Tramway in Jerusalem

On a tramway that connects several of Jerusalem's neighborhoods from East to West, a mosaic of people from different religious and ethnic backgrounds are brought together.

Holy Air

Adam is a Christian Arab living in Nazareth - member of a vanishing minority within a minority in the Holy Land and the Middle East. His wife Lamia is a strong, beautiful and progressive Arab woman, who runs a foundation for women's rights.

Disengagement

A political drama centered around Israel's pullout from the occupied Gaza strip, in which a French woman of Israeli origin comes to the Gaza Strip to find her long ago abandoned daughter.

Free Zone

Rebecca, an American who has been living in Jerusalem for a few months now, has just broken off her engagement. She gets into a cab driven by Hanna, an Israeli. But Hanna is on her way to Jordan, to the Free Zone, to pick up a large sum of money.

Alila

Life in a Tel Aviv apartment complex, an urban mosaic whose seedy characters, try as they might, can't get out of one another's faces. Gabi, a bobbed haired sexpot, and her lover Hezi—who's older, balding and married—rent a room to have an affair, while Ezra, a pot bellied divorcee, supervises an illegal construction site next door. All this racket drives Schwartz, a Holocaust survivor, to a mental breakdown. Other characters include illegal Chinese immigrants, a teenage boy who's afraid to serve in the army, and a corrupt police detective.

Eden

In 1939, Kalman, an ambitious young businessman, leaves Europe to join his sister Samantha in Palestine. She lives with Dov, an idealistic architect obsessed with the Bauhaus style. With their friends, they form a group, which discusses the future Israeli State.

Kippur

The film takes place in 1973 during the Yom Kippur War in which Egypt and Syria launched attacks in Sinai and the Golan Heights. The story is told from the perspective of Israeli soldiers. We are led by Weinraub and his friend Ruso on a day that begins with quiet city streets, but ends with death, destruction and devastation of both body and mind. Various scenes are awash in the surreal, as Weinraub's head hangs out over a rescue helicopter's open door, watching with tranquil desperation as the earth passes beneath, the overpowering whir of the blades creating a hypnotic state. It is not a traditional blood, guts and glory film. There are no men in battle, only the rescue crew trying to pick up the broken pieces.

Things

Drama - This Israeli drama tells the story of three men living in Tel Aviv. They set off to attend a funeral. Unfortunately, they cannot find the right cemetery. Later the story shifts to their complex love lives. - Gabi Beniashvilly, Samuel Calderon, Helena Cherkasov

Desert Laws

In Israel's Negev desert, Farhan Al-Nabari (72) - a fearless arbitrator, fights to prevent the next killing between feuding Bedouin families. His tent, a "place of refuge," anchors tradition amid rising youth violence challenging state and tribal authority. As societal desperation and poverty intensify, Farhan faces a profound struggle: the State of Israel demands the uprooting of his tribe from its home of 71 years. Amid frantic reconciliation efforts between tribes, this poignant tale unfolds-a clash between ancient traditions and modern mandates. Farhan fights to preserve his community's legacy, navigating a delicate balance between the timeless laws of the desert and the new world.

Desert Laws

In Israel's Negev desert, Farhan Al-Nabari (72) - a fearless arbitrator, fights to prevent the next killing between feuding Bedouin families. His tent, a "place of refuge," anchors tradition amid rising youth violence challenging state and tribal authority. As societal desperation and poverty intensify, Farhan faces a profound struggle: the State of Israel demands the uprooting of his tribe from its home of 71 years. Amid frantic reconciliation efforts between tribes, this poignant tale unfolds-a clash between ancient traditions and modern mandates. Farhan fights to preserve his community's legacy, navigating a delicate balance between the timeless laws of the desert and the new world.