Irakli Metreveli

Burning Sun

After meeting with death for the first time, four 10-year-old kids find that their familiar enviroment has become ominous.

Heatwave

The story centers around the Georgian family while waiting for their terminally ill mother to pass away

Winter Which Wasn’t There

Winter which was not there’ can be seen as a metaphor for the liberation of an individual from his or her own history. In the film, a man watches a monumental concrete sculpture of a man being hoisted out of the sea. The sculpture is clearly reminiscent of a classic heroic monument but in a strange, and somewhat uncanny way, the face and figure of the sculpture look amazingly like the man who’s watching it rise out of the sea.

I Swam Enguri

A young woman decides to find her house that she has been deprived of at the age of 4 due to the war. The only chance to get to the occupied area is to cross the border secretly. The border barrier, the natural dividing line, the river Enguri, all add up to the artificially-created wire line by Russian Soldiers. In search of her house, the protagonist explores lives of internally displaced persons for 24 years after the war and sinks into the art of existence that seems to be war, rather than peace. In the process, she meets with so-called 'connectors', who help her get to the occupied territory. The story portrays everlasting estranging damage occupation can bring: how it can eradicate the concept of ' home' and the comforting feeling of safety.

Lady Inmate

In every situation, in every kind of loneliness a woman is a woman. This film is about every woman, who have a hard life, life of difficulties, but never forget that she's a lady.