Ivan Melo

Baby

After being released from a juvenile detention center, Wellington finds himself alone and adrift on the streets of São Paulo, without any contact from his parents and lacking the resources to rebuild his life. During a visit to a porn theater, he encounters Ronaldo, a mature man, who teaches him new ways of surviving. Gradually, their relationship turns into a conflicting passion, oscillating between exploitation and protection, jealousy and complicity.

Tinnitus

Marina Lenk is an experienced Ornamental Jumping athlete. However, an attack of Tinnitus — an unbearable ringing sound in the ears — drags her from the top of her game to the edge of madness.

The Mother

A street vendor who lives in the outskirts of São Paulo returns home at night and does not find her teenager son. After a nonstop search, she finds out the boy was killed by the police and his body is missing. This is the beginning of this woman’s vertiginous fight for the right to bury her son, a fight that will not only unveil the excessive violence of one of most lethal police forces of the world, but also how structural is racism in Brazilian society.

Bob Spit: We Do Not Like People

Bob Spit, a comic book character, lives in a post-apocalyptic desert inside the mind of his creator, the legendary Brazilian cartoonist Angeli. When Angeli decides to kill off Bob, the old punk leaves this wasteland and faces his creator.

Alvorada

The film narrates, from an intimate point of view, the daily life of President Dilma Rousseff in her official residence, the Palácio do Alvorada, while awaiting the verdict of the impeachment process. Portraying the hallways of the palace, designed by Oscar Niemeyer, we see the coming and going of political meetings, the daily routine of the kitchen, the exchange of guards, whispers and phone calls. We feel the growing tension of officials, advisers and former ministers.

Body Electric

Elias is a handsome young deputy manager in a garment factory in São Paulo. When he’s not working, he enjoys casual encounters in the big city. The arrival of a young African, Fernando, on the production line piques his interest and Elias finds himself increasingly drawn into socialising with his work colleagues.