Ivo Branco

Os Órfãos de Canudos

The documentary proposes a reflection on the Canudos War and its consequences through a very little known fact, that of a group of about 250 women and children who survived the war. After the decimation of Canudos, these women and children were left to their own devices.

Batimam and Robim

Batimam and Robim are two close friends. Their real names are Léo and Mário, but they've got those nicknames after dressing up for mardi-gras as Batman and Robin. To get some money, they decide to rob a small supermarket, but they meet some reaction and Mário gets shot by the owner, who is killed by Léo. They run away and find solace in an abandoned house. Léo decides to go out to try to get some help for his friend, whose leg was wounded, but to no avail. When he returns, the two start an argument.

Batimam and Robim

Batimam and Robim are two close friends. Their real names are Léo and Mário, but they've got those nicknames after dressing up for mardi-gras as Batman and Robin. To get some money, they decide to rob a small supermarket, but they meet some reaction and Mário gets shot by the owner, who is killed by Léo. They run away and find solace in an abandoned house. Léo decides to go out to try to get some help for his friend, whose leg was wounded, but to no avail. When he returns, the two start an argument.

Participar: Experiência no Governo Democrático

Documentary about the resumption of popular participation, with the country's redemocratization, in public city planning policies. It gives examples of community councils and Neighborhood Friendly Societies in the health sector in Franco da Rocha, transport in Osasco and Santo André, community kitchens in communities and councils of employee representatives in companies such as Metrô and Emplasa, which still carried out training in auxiliary inspection system, with the presence of civil society, in the inspection of water sources and public transport areas.

Belmonte

The film retraces the trajectory of Belmonte, considered one of the most important caricaturists in the country in the 1920s. It was in 1925, at Folha da Noite, that he created Juca Pato, a character that consecrated him. Belmonte did not spare the politicians and their ills, which made him persecuted by the Estado Novo.