Jacob Møller

Madame Ida

Set in the early 1950s, the narrative follows 15-year-old Cecilia, an orphan who becomes pregnant due to an assault by the orphanage warden. To conceal the pregnancy, she is sent to live with Ida, a woman desperate to adopt, residing in an isolated mansion with her lifelong maid, Alma. During her stay, a unique bond forms among the three women, offering solace from their individual loneliness and desires. However, the arrival of the baby disrupts their harmonious existence, leading to unforeseen challenges.

Madame Ida

Set in the early 1950s, the narrative follows 15-year-old Cecilia, an orphan who becomes pregnant due to an assault by the orphanage warden. To conceal the pregnancy, she is sent to live with Ida, a woman desperate to adopt, residing in an isolated mansion with her lifelong maid, Alma. During her stay, a unique bond forms among the three women, offering solace from their individual loneliness and desires. However, the arrival of the baby disrupts their harmonious existence, leading to unforeseen challenges.

A Vicious Undertow

A Vicious Undertow offers a dreamlike narrative—a vision from a stylish, black and white world where music is a language and fabric patterns enhance the mood and define character. Despite the film’s mysteries, and how much it leaves to our interpretations and imaginations, Just bases his work in real emotions, finding every kind of expression in his actor’s faces, hands, and bodies. Resisting this enigmatic story becomes more difficult with each longing glance, haunting melody, and swooning turn of the camera.