James Lingwood

Remote

Finding new cinematic language to express the desire for physical contact in our increasingly isolated, mediated, and highly consumer-driven environments, Remote follows the daily routines of a quarantined woman in her sealed-off, ultra-modern apartment, where she falls down a rabbit hole playing an inexplicable interactive game with a community of women from around the world.

Here for Life

Ten Londoners and a dog. They dance together, steal together, eat together; agree and disagree, celebrate their differences and share their talents. They spark a debate about the world we live in, who has stolen what from whom, and how things might be fixed.

Spook House

Filmed in the white working-class suburbs of Detroit, Spook House reveals a community reveling in the macabre. Front lawns are transformed into cemeteries, kitchens become mausoleums and dismembered ‘bodies’ are prepared for cannibal feasts. Cameron Jamie’s camera tracks the celebrants as the nights become longer and darker.

Cremaster 4

CREMASTER 4 (1994) adheres most closely to the project's biological model. This penultimate episode describes the system's onward rush toward descension despite its resistance to division. The logo for this chapter is the Manx triskelion - three identical armored legs revolving around a central axis. Set on the Isle of Man, the film absorbs the island's folklore ...