Javier Díaz

Serafina

In a desert town in the Puna, something dark emerges from the earth. Only old Cora, her daughter Antonia and her granddaughter Serafina remain. The mother leaves for Buenos Aires, leaving the girl in the care of her grandmother, who warns her not to go near the Pachamama well.

Nocturna - The Great Old Man's Night

Ulysses is a hundred-year-old man, he lives alone and is on the verge of death. The last night of his life, he will experience something that will force him to rethink his past, his present and his sight about his reality. Tortured by remorse of guilt, confused by his senile dementia, he must make a last effort to reach his death in freedom or to become a soul in sorrow in eternal return.

You Don't Know Who You're Talking To

A group of working-class losers plot to give an old gypsy mobster a heart attack in order to recover a valuable car. They decide to build a monster to scare him to death. But they're looking for trouble.

La noche de las cámaras despiertas

The film tells how in 1970 a group of Argentine filmmakers - including Alberto Fischerman, Rafael Filippelli, Julio Ludueña, Miguel Bejo, Jorge Cedrón, Dody Scheuer and Luis Zanger - decided to make a short film each in one night. The occasion is perfect to describe the atmosphere of the '70s, the fever in which militants and publicists lived, the clash between art and politics. Includes fragments of the films The Players vs. Ángeles Caídos (Fischerman, 1969), Shadows (John Cassavetes, 1959), Made in U.S.A. (Jean-Luc Godard, 1966), L'eclisse (Michelangelo Antonioni, 1962), The Hour of the Furnaces (Pino Solanas & Octavio Getino, 1968), Tire dié (Fernando Birri, 1960), Alianza para el progreso (Ludueña, 1971), La civilización está haciendo masa y no deja oír (Ludueña, 1974) and La pieza de Franz (Fischerman, 1974).