Jean Khalil Chamoun

33 Days

33 Days chronicles the efforts of theatre director Sharif Abdunnur, graphic designer Sharif Bibi, journalist Fadia Baszzi and Mariam Al-Bassam, director of the news desk at New TV, as they try to provide emergency aid, report current news of the conflict and help Lebanese children process the violence and destruction they see around them on a daily basis. Masri's film is full of compassion and humanity even as it records the horrible devastation of war.

Frontiers of Dreams and Fears

This heartfelt documentary from award-winning filmmaker Mai Masri explores the enduring friendship that evolves between two Palestinian girls—Mona, who was born and raised in the economically marginalized Shatila refugee camp in Beirut, and Manar, who lives in the Dheisha refugee camp under Israeli control. The two girls begin their friendship as penpals, sharing the similarities and differences of life in the two refugee camps. Mona and Manar are finally able to meet face-to-face at the Lebanese-Israeli border during Israel's withdrawal from South Lebanon. But when the second intifada suddenly erupts around them shortly thereafter, both girls must face heart-breaking changes in their lives.

Taif Al-Madina

To escape the civil war between Christians and Muslims, a Lebanese family moves from the countryside to Beirut, only to find themselves caught in an equally dangerous situation

Children of Shatila

Many people first became aware of the Shatila refugee camp in Lebanon after the shocking and horrific Sabra-Shatila massacre that took place there in 1982. Located in Beirut's "belt of misery," the camp is home to 15,000 Palestinians and Lebanese who share a common experience of displacement, unemployment and poverty. Fifty years after the exile of their grandparents from Palestine, the children of Shatila attempt to come to terms with the reality of being refugees in a camp that has survived massacre, siege and starvation. Director Mai Masri focuses on two Palestinian children in the camp: Farah, age 11 and Issa, age 12. When these children are given video cameras, the story of the camp evolves from their personal narratives as they articulate the feelings and hopes of their generation.