Jenneke Boeijink

Porcelain

The lives of Anna, Paul and their little son Thomas seem perfect from the outside. Paul has a well-paid job, Anna has a home studio where she works with porcelain and Thomas is an angelic child. However, when Thomas bites one of his friends at school, the cracks of a context that is anything but perfect begin to surface.

Porcelain

The lives of Anna, Paul and their little son Thomas seem perfect from the outside. Paul has a well-paid job, Anna has a home studio where she works with porcelain and Thomas is an angelic child. However, when Thomas bites one of his friends at school, the cracks of a context that is anything but perfect begin to surface.

Porcelain

The lives of Anna, Paul and their little son Thomas seem perfect from the outside. Paul has a well-paid job, Anna has a home studio where she works with porcelain and Thomas is an angelic child. However, when Thomas bites one of his friends at school, the cracks of a context that is anything but perfect begin to surface.

Porcelain

The lives of Anna, Paul and their little son Thomas seem perfect from the outside. Paul has a well-paid job, Anna has a home studio where she works with porcelain and Thomas is an angelic child. However, when Thomas bites one of his friends at school, the cracks of a context that is anything but perfect begin to surface.

Porcelain

The lives of Anna, Paul and their little son Thomas seem perfect from the outside. Paul has a well-paid job, Anna has a home studio where she works with porcelain and Thomas is an angelic child. However, when Thomas bites one of his friends at school, the cracks of a context that is anything but perfect begin to surface.

Kamer 330

Linde has a job on the side as a chambermaid in a luxury hotel. Her seventeenth birthday seems a day like any other at the hotel, until she hears some alarming noises coming from one of the rooms: screaming and crying. Later, she sees how a man pushes a Nigerian girl into a car. When she realises her peer is probably the victim of human trafficking, she becomes aware of the shady sides of society and of her privileged position.

Kamer 330

Linde has a job on the side as a chambermaid in a luxury hotel. Her seventeenth birthday seems a day like any other at the hotel, until she hears some alarming noises coming from one of the rooms: screaming and crying. Later, she sees how a man pushes a Nigerian girl into a car. When she realises her peer is probably the victim of human trafficking, she becomes aware of the shady sides of society and of her privileged position.

Schemeren

Directed by Jenneke Boeijink

Schemeren

Directed by Jenneke Boeijink