Jeremy Herrin

National Theatre Live: People, Places and Things

Emma was having the time of her life. Now she’s in rehab. Her first step is to admit that she has a problem. But the problem isn’t with Emma, it’s with everything else. She needs to tell the truth. But she’s smart enough to know that there’s no such thing. When intoxication feels like the only way to survive the modern world, how can she ever sober up?

National Theatre Live: Best of Enemies

In 1968 America, as two men fight to become the next president, all eyes are on the battle between two others: the cunningly conservative William F. Buckley Jr., and the unruly liberal Gore Vidal. During a new nightly television format, they debate the moral landscape of a shattered nation.

Young Vic: Best of Enemies

1968 – a year of protest that divided America. As two men fight to become the next President, all eyes are on the battle between two others: the cunningly conservative William F Buckley Jr., and the iconoclastic liberal Gore Vidal. Beliefs are challenged and slurs slung as these political idols feud nightly in a new television format, debating the moral landscape of a shattered nation.

National Theatre Live: After Life

A group of strangers grapple with this impossible question as they find themselves in a bureaucratic waiting room between life and death. Encouraged by enigmatic officials, they must sift through their past lives to choose their forever. Adapted from Hirokazu Kore-eda's award-winning film, After Life is a surreal and powerfully human look at the way we view our lives, and a haunting meditation on what it is to live - and to die.

Sitting

Bafta Award-winning Katherine Parkinson's debut play. Three characters sit for a silent painter and reveal their personal truths in a play about love, loss and the importance of human connection.

National Theatre Live: All My Sons

America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They have built a home, raised two sons and established a thriving business. But nothing lasts forever and their contented lives, already shadowed by the loss of their eldest boy to war, are about to shatter. With the return of a figure from the past, long buried truths are forced to the surface and the price of their American dream is laid bare.

Brexit Shorts: The End

After 43 years together, Helen finds out her husband is leaving.

Brexit Shorts: Just a T-shirt

Priti, a British-born Indian woman in the West Midlands, reports a violent incident in the street.

Brexit Shorts: Time to Leave

In her garden in the Home Counties, leave-vote Eleanor wonders why the Brexit vote hasn’t made her happier.

The Tempest - Live at Shakespeare's Globe

Prospero, Duke of Milan, usurped and exiled by his own brother, holds sway over an enchanted island. He is comforted by his daughter Miranda and served by his spirit Ariel and his deformed slave Caliban. When Prospero raises a storm to wreck this perfidious brother and his confederates on the island, his long contemplated revenge at last seems within reach. - Shakespeare's Globe

National Theatre Live: This House

It's February 1974. Ted Heath's Conservative government has been ousted. But only just. In the hung Parliament, Labour manages to form a minority government by sending its whips out wheeling and dealing with the Liberals, Scottish Nationalists and Northern Irish politicians. But this fragile alliance lasts only until October, when another election is called. This time, Labour win with a tiny majority of just three. Now things get tougher as old cross-Party agreements break down and even sick and dying MPs are wheeled into the chamber to cast their votes! James Graham's acclaimed new play whisks us back to the days of the UK's previous hung Parliament, when politics got really dirty in the battle for power.

Much Ado About Nothing - Live at Shakespeare's Globe

Much Ado About Nothing is a comedic play by William Shakespeare thought to have been written in 1598 and 1599, as Shakespeare was approaching the middle of his career. The play was included in the First Folio, published in 1623. Much Ado About Nothing is generally considered one of Shakespeare’s best comedies, because it combines elements of robust hilarity with more serious meditations on honor, shame, and court politics. Like As You Like It and Twelfth Night, Much Ado About Nothing, though interspersed with darker concerns, is a joyful comedy that ends with multiple marriages and no deaths. Also known as "Globe on Screen: Much Ado About Nothing".