Joachim Trier

Room 999

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

Making The Worst Person in the World

In this new program, director Joachim Trier, actors Renate Reinsve, Anders Danielsen Lie, and Herbert Nordrum, screenwriter Eskil Vogt, and sound designer Gisle Tveito discuss their passion for cinema and the conception and production of The Worst Person in the World. The interviews were shot in New York and Oslo in 2022. In English, not subtitled. (51 min). Part of the Criterion Collection home video release for THE WORST PERSON IN THE WORLD.

The Other Munch

This engrossing documentary follows the much-acclaimed Norwegian writer Karl Ove Knausgaard as he is invited to guest-curate an exhibition of paintings by Edvard Munch at Oslo’s Munch Museum. Co-director Joachim Trier appears onscreen alongside Knausgaard as they visit several key locations from the celebrated painter’s life, searching for insights into his imagination and vision as they discuss his vastly influential oeuvre, his themes and obsessions, his approach to rendering everyday things and strongly emotional scenes alike. Knausgaard’s interpretation of Munch proves to be captivatingly unorthodox, and the Trier brothers thrillingly seek to connect his thoughts about the painter to his own literary project, yielding a double portrait of two of Norway’s most essential artists. (Film Society of Lincoln Center)

Board Control

From 1978 to 1989 skateboarding was illegal in Norway, as the only country in the world it was not legal to sell, buy or use skateboard in this period. The film follows two generations of skaters - from the underground culture in the late 70s, with skating on secret locations in the forest around Oslo, to the commercial explosion when skating was legalized in 1989. The film says something about the Norwegian governments overprotective policy, but it also shows the paradox of how the prohibition led to a unique and creative environment.