Аватар персоны João Maria Gusmão

João Maria Gusmão

Director
Joao Maria Gusmao b. 1979, Pedro Paiva b. 1977. Live and work in Lisbon. The Portuguese artists Joao Maria Gusmao and Pedro Paiva have collaborated since 2001 on creating objects, installations and 16mm and 35mm short films. The duo describe their overall project as a kind of “recreational metaphysics,” a genre that to a certain extent they themselves have re-invented following the Portuguese poet Alberto Caeiro (Fernando Pessoa) on his layered aesthetical modern experiment on materialism. The short films depict staged episodes and sequences of pseudo-scientific experiments with both poetical and comical consequences. In recent years Gusmao and Paiva’s production has centered on the idea of movement and duration, both within the cinematographic vocabulary, with references to early film pioneers as Eadweard Muybridge and Etienne-Jules Marey, and through the artists’ own practical experiments and conceptual invention.

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Total Films

Also known as (male)

Portugal

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Popular works

Creative career

actor

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producer

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director

34 Works

writer

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other

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Sleeping Flamingo

Sleeping Flamingo

A silent 16mm film vertical portrait on sleeping flamingos.
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Year:

2018

Chopping Fruits and Vegetables

Chopping Fruits and Vegetables

Short film consisting of multiple fruits and vegetables being chopped in stopmotion.
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Year:

2016

Sleeping in a bullet train

Sleeping in a bullet train

A group of workers resting in one of the fastest commuter trains in the world. This quotidian situation, filmed in slow motion, creates a prolonged moment where the slumbering minds of the sleepers are paradoxically framed with the velocity of the express train.
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2015

Papagaio (Djambi)

Papagaio (Djambi)

A major new 16mm film work Papagaio (Djambi) 2014, shot in São Tomé and Príncipe (a Portuguese speaking Island nation off the western coast of Central Africa), bears witness to a West African voodoo ritual, known locally as D’Jambi. Whilst intoxicated, the participants dance and enter a state of trance in which they channel the spirits of the dead. At times the footage is shot by the artists, and at other moments the camera becomes an alibi, held and manoeuvred by one of the participants.
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2014

Proboscis

Proboscis

An elephant’s proboscis in action.
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2013

Triangles and Squares

Triangles and Squares

An animated 16mm film by JMG+PP.
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2013

Three Albinos Telling Jokes by the Fireplace

Three Albinos Telling Jokes by the Fireplace

Three albinos telling jokes by the fireplace.
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2013

Water mill

Water mill

Short film by João Maria Gusmão and Pedro Paiva, filmed at Lohmuehle Leustetten.
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2012

Placing the Fisheye

Placing the Fisheye

Short silent film.
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2012

Wheels

Wheels

“Wheels” is a film about relative motion as described by Descartes: if 2 objects are moving in the same direction and speed they seem to be still between each other. Inspired by Duchampian tradition, Pedro and João filmed a short chronicle of curved means of transportation in the tropics. Overlaying directly on the negative (camera editing) the feat of paradoxically freezing a moving bicycle wheel, a car wheel and anamorphic depiction of tire, João and Pedro constate that for that to happen everything else must be perceived as a gyroscope.
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2011

Benguelino Casting a Spell on the Camera

Benguelino Casting a Spell on the Camera

16mm film, colour, no sound, 2'49" Co-Produced by São Tomé and Príncipe Biennale and Frac Île-de-France/Le Plateau, Paris.
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2011

Solar, the Blindman Easting a Papaya

Solar, the Blindman Easting a Papaya

16mm film, colour, no sound, 2'35"
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2011

Cowfish

Cowfish

Directed by João Maria Gusmão
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2011

Dream of a Ray Fish

Dream of a Ray Fish

If a ray fish dreams…
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Year:

2011

Getting into bed

Getting into bed

A 16mm film by Joao Maria Gusmao + Pedro Paiva.
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2011

The Horse of the Prophet

The Horse of the Prophet

Directed by João Maria Gusmão e Pedro Paiva
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2011

Bread, Tea and Bao Game

Bread, Tea and Bao Game

Food and drink transformed into unidentified flying objects.
10.0

Year:

2011

Pot Smaller than Pot

Pot Smaller than Pot

16mm film, colour, no sound, 2'25"
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2010

Heat Ray

Heat Ray

Directed by João Maria Gusmão e Pedro Paiva
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2010

Cassowary

Cassowary

An encounter at Jardim Zoológico de Lisboa shot in 16mm by JMG+PP.
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2010

A Coluna de Colombo

A Coluna de Colombo

João Maria Gusmão and Pedro Paiva have produced a series of silent films in 16 mm and 35 mm that, scientifically yet with a touch of irony, present small physical actions and particular optical phenomena. Their inventories of nature and their perspective respond to a physical world that is visible and yet invisible, where the concrete is always presented as something concealed. Something that the filmmakers call “abyssology, a transitory science of the indiscernible”. The simple compositions and the tricks they adopt, such as the use of slow motion or superimposed images, are reminiscent of the silent films of the early days of cinema and the chronophotography of Étienne-Jules Marey.
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Year:

2009

Hand Smaller than Hand

Hand Smaller than Hand

Directed by João Maria Gusmão e Pedro Paiva
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2009

The Soup

The Soup

Short silent film.
10.0

Year:

2009

Meteoritica

Meteoritica

A glassmaker removes an amber piece of molten glass from a high-temperature oven, rolls the glass in a tube, and lets a drop fall down in one continuous stretch to the floor.
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2008

The Initiate

The Initiate

A rite of passage.
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Year:

2008

Spaguetti Tornado

Spaguetti Tornado

16mm film, colour, no sound, 2'47" Produced by Brodbeck Foundation, Catania, Italy
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Glossolalia

Glossolalia

It's Sunday morning. The Proud Man likes to visit the zoo. Rising early, he plots a persuasive plea to convince his wife that gardens are only glorious if graced by creatures.
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Ventriloquismo

Ventriloquismo

João Maria Gusmão and Pedro Paiva have produced a series of silent films in 16 mm and 35 mm that, scientifically yet with a touch of irony, present small physical actions and particular optical phenomena. Their inventories of nature and their perspective respond to a physical world that is visible and yet invisible, where the concrete is always presented as something concealed. Something that the filmmakers call “abyssology, a transitory science of the indiscernible”. The simple compositions and the tricks they adopt, such as the use of slow motion or superimposed images, are reminiscent of the silent films of the early days of cinema and the chronophotography of Étienne-Jules Marey.
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Year:

2009

3 Sóis

3 Sóis

João Maria Gusmão and Pedro Paiva have produced a series of silent films in 16 mm and 35 mm that, scientifically yet with a touch of irony, present small physical actions and particular optical phenomena. Their inventories of nature and their perspective respond to a physical world that is visible and yet invisible, where the concrete is always presented as something concealed. Something that the filmmakers call “abyssology, a transitory science of the indiscernible”. The simple compositions and the tricks they adopt, such as the use of slow motion or superimposed images, are reminiscent of the silent films of the early days of cinema and the chronophotography of Étienne-Jules Marey.
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Year:

2009

Fried Egg

Fried Egg

Fried eggs as a cosmic event.
10.0

Year:

2008

Turtle

Turtle

Directed by João Maria Gusmão
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The Human Torch

The Human Torch

16mm film, colour, no sound, 2’23’’ Produced by ZDB, Lisbon. Thanks to: Inhotim Cultural Center, Minas Gerais.
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Year:

2007

Eye Eclipse

Eye Eclipse

The eclipse of/on an eggshell.
10.0

Year:

2007