John Ingram

Pilger in Australia

1976. A candid look at the highs and lows of Australian society.

A Nod and a Wink

In A Nod and a Wink, John Pilger demonstrates how the charge of conspiracy is being used as a means of political suppression in Britain, comparing this with statutes in police states such as Brazil and the Soviet Union, which use “a vague law” to silence and imprison people for their political or religious views.

Smashing Kids

Children growing up in poverty is the subject of Smashing Kids, 1975. John Pilger meets the Hopwoods, of Liverpool, where hunger has become a way of life during father Harry’s unemployment as his family of five survive on £1 a day. The wallpaper in their council house is torn and there are no clothes in the couple’s wardrobe and no sheets on their bed. The family have never had a holiday and Harry tells Pilger: “It would be easier to serve time than to put up with this.”

Nobody's Children

Documentary from 1975 on the plight of mentally handicapped children held in appalling circumstances in the UK.

An Unfashionable Tragedy

In 1974, when famine hit the country, Pilger returned to Bangladesh to make An Unfashionable Tragedy. It contains harrowing scenes of starving children but also puts the horrors into a geopolitical context. This is Pilger’s first documentary to highlight his theme of expendability, whereby countries with no oil, strategic value or military power are considered unimportant to the superpowers. Bangladesh, he points out, is not one of the United States’s “client states” on a priority list to receive its surplus food.

Design for Loving

Follows a beatnik who becomes a top fashion model.

She Always Gets Their Man

The longtime tenants at a London women's hotel decide to take action when the newest resident, a sexy young flirt, begins stealing everyone's boyfriends. Director Godfrey Grayson's 1962 British comedy stars Ann Sears, Sally Smith, Avril Edgar, Terence Alexander, Bernice Swanson, William Fox and Michael Balfour.