John Taylor

Sabina

This short animated film is an impressionistic exploration of sensuality within the feminine imagination. Inspired by Anaïs Nin's poetic writing, Sabina breathes with lush, elemental energy where colours embrace and shapes caress in the soft currents of water and desire.

Who Gets In?

This documentary explores the many questions raised by Canada's immigration policy in the face of one of the world's largest immigration movements. Shot in 1988 in Africa, Canada and Hong Kong, the film reveals first-hand what Canadian immigration officials are looking for in potential new Canadians, and the economic, social and political priorities orienting their choices.

At the Crossroads

This feature documentary is an inquiry into Canada's economic troubles of the 1970 and '80s. The film summarizes the facts at hand, including some pre-NAFTA speculation about economic dependency on the United States. At roughly thirty percent, the Canada of a few decades ago was more foreign-owned than any other country in the world. Still, however, a great and stubborn national pride in our cultural and social idiosyncrasies persists, resulting in the confidence to look elsewhere besides the United States for economic alliances and models. This episode is the fifth and last part of the series Reckoning: The Political Economy of Canada.

In Bed with an Elephant

This feature documentary provides a gripping retrospective of United States-Canada relationships through a study of successive presidents and prime ministers. Using archival film footage, it demonstrates that Canadian prime ministers, from John A. Macdonald down, all began their tenures by making overtures to their American counterparts. Attitudes and outcomes have varied widely. The almost comic antipathy between Kennedy and Diefenbaker, for instance, is as palpable here as is the folksy camaraderie of Reagan and Mulroney. Part four of Reckoning: The Political Economy of Canada series.

The Rise and Fall of American Business Culture

This documentary from 1987 looks at the serious malaise that plagued the US manufacturing sector at the time. No longer competitive in the world market, and forced to buy more than it could sell, the US nevertheless continued to bask in the glow of past glory rather than face its immediate predicament. Meanwhile, Japan and other Pacific Rim countries were gaining economic ground, perhaps permanently. This film was part one of the series, Reckoning: The Political Economy of Canada.

Wild in the City

This short documentary films some of the wild animal species that have adapted to the city of Vancouver, from the familiar pigeons and starlings to the less familiar herons nesting in Stanley Park and a coyote in a farmer's field.

Shift Change

This documentary looks at the microchip, an American invention exploited by the Japanese that caused a second industrial revolution. The devastating effect on millions of human lives is related through interviews with some of the newly jobless in Hamilton, Ontario. Using the example of Japan for contrast, host James Laxer demonstrates that the cost of technological advances need not be so high if their effects are foreseen and planned for. Part 2 of the series Reckoning: The Political Economy of Canada.

Riding the Tornado

This documentary focuses on boom-and-bust economic cycles, most notably that of Alberta oil during the '70s and early '80s. When the bust hit after a drop in world oil prices, those business people who knew how to "ride a tornado" cut their losses and moved on, while others were left devastated. When Newfoundland was faced with a possible oil boom of its own in the mid-'80s, it took the lessons of Alberta to heart. Part 3 of the series, Reckoning: The Political Economy of Canada.

Turnaround: A Story of Recovery

The women who seek help at Aurora House share a common illness: they are physically and psychologically dependent on alcohol, prescription drugs, street drugs, or a combination of these. This documentary focuses on the lives of five women at various stages of their rehabilitation. In the supportive and healing atmosphere of women helping other women, they are confronting the issues and feelings they had previously drunk or drugged out of consciousness.

The Road to Patriation

This feature documentary retraces the century of haggling by successive federal and provincial governments to agree on a formula to bring home the Canadian Constitution from England. This film concentrates on the politicking and lobbying that finally led to its patriation in 1982. Five prime ministers had failed before Prime Minister Pierre Elliott Trudeau took up the challenge in the early 1970s. Principal players in this documentary are federal Minister of Justice Jean Chrétien, Prime Minister Trudeau, 10 provincial premiers and a host of journalists, politicians, lawyers, and diplomats on both sides of the Atlantic.

Japan Inc: Lessons for North America?

This short documentary is an absorbing study of Japanese business and industry. Discipline and productivity in Japan are much more regimented than in many other parts of the world. For the 110 million Japanese, survival means doing things together, rather than asserting a North American-style individualism. Japan's industry has automated and computerized at an unparalleled rate. Open-concept offices and collaborative work styles offer a model of the changing style of modern work that could inspire the West to modify their processes as well.

Canada Vignettes: Unity Pole

This vignette shows the ceremonial totem-pole raising by the Nisgha Nation at Ayanish.

Poison Ivy

Sixty-six-year-old Ivy Granstrom jogs, skis, bowls, gardens and does carpentry work. Sometimes she walks into a wall. Due to insufficient care at birth, she enjoys only 4.5% vision, but she doesn't let blindness interfere with her life. She practises the art of "mind over eyes."

Horse Drawn Magic

This documentary short introduces us to the Caravan Stage Company, the world's only horse-drawn open-air theater. Every summer it tours British Columbia and Alberta, bringing live entertainment to communities where television is often the main diversion. In a montage of short sketches, the film shows the troupe on the road and in performance. Hard work and laughter are basic ingredients of this unconventional lifestyle.

Augusta

This short documentary is the portrait of an 88-year-old woman who lives alone in a log cabin without running water or electricity in the Williams Lake area of British Columbia. The daughter of a Shuswap chief, Augusta lost her Indian status as the result of a marriage to a white man. She recalls past times, but lives very much in the present. Self-sufficient, dedicated to her people, she spreads warmth wherever she moves, with her songs and her harmonica.

Augusta

This short documentary is the portrait of an 88-year-old woman who lives alone in a log cabin without running water or electricity in the Williams Lake area of British Columbia. The daughter of a Shuswap chief, Augusta lost her Indian status as the result of a marriage to a white man. She recalls past times, but lives very much in the present. Self-sufficient, dedicated to her people, she spreads warmth wherever she moves, with her songs and her harmonica.

Great Grand Mother

This short film is an ode to the women who settled the Prairies, from the days of early immigration to 1916 - when Manitobans became the first women in Canada to receive the provincial vote - and beyond. Recollections of women are complemented by a series of quotations drawn from letters, diaries, and newspapers of the day, which are spoken over re-enacted scenes and archival photographs.

The Bear's Christmas

This short cartoon tells the story of a bear who didn’t believe in Christmas. His main problem with this most magical of holidays? Too many Santas. How would he ever recognize the real one? Alone, out of a job, he goes to drown his sorrows, but back in his lonely room, for all his doubts, the Christmas spirit makes a surprise call.

Behind the Masks

A fascinating look at the meaning behind some Indigenous masks from the North Pacific coast. Expositor and lecturer is Professor Claude Levi-Strauss of Paris, world-renowned anthropologist and authority on the structural analysis of myth.

Animation from Cape Dorset

This collection assembles the first animated films to be made by Inuit artists at the NFB. Featured is work by Solomonie Pootoogook, Timmun Alariaq, Mathew Joanasie, and Itee Pootoogook Pilaloosie—all participants in the Cape Dorset (Baffin Island) Film Animation Workshop, established to teach animation skills to local artists. The soundtrack features performances by Aggeok and Peter Pitseolok. Commentary is provided in a blend of Inuktitut and English.