Аватар персоны Jordan Belson

Jordan Belson

Director
Jordan Belson was an American artist and filmmaker who created nonobjective, often spiritually oriented, abstract films spanning six decades.

06-06-1926

Birthday

Gemini

Zodiac Sign

-

Genres

0

Total Films

Also known as (male)

Chicago, Illinois, USA

Place of Birth

Popular works

Creative career

actor

0 Works

producer

0 Works

director

43 Works

writer

0 Works

other

8 Works

Epilogue

Epilogue

By way of a pure Visual Music experience, the Hirshhorn Museum (Smithsonian Institution) commissioned a major new work from abstract film artist Jordan Belson, who distilled 60 years of visionary sound and images into a twelve minute videofilm.
6.5

Year:

2005

Bardo

Bardo

Experimental film exploring the 'transcendent potential of abstraction'.
0.0

Year:

2001

Mysterious Journey

Mysterious Journey

A lyric, poetic, and visionary trip through outer and inner space. Beautiful and profound, spiritual and sensual, speaks the language of the soul.
6.7

Year:

1997

Samadhi And Other Films

Samadhi And Other Films

Produced from Mystic Fire this film sums up 25 years of Jordan Belson's work by combining excerpts from his classic films with more recent work. This contains also the complete works Northern Lights (1985) and Thought Forms (1987)
0.0

Year:

1989

Samadhi And Other Films

Samadhi And Other Films

Produced from Mystic Fire this film sums up 25 years of Jordan Belson's work by combining excerpts from his classic films with more recent work. This contains also the complete works Northern Lights (1985) and Thought Forms (1987)
0.0

Year:

1989

Thoughtforms

Thoughtforms

The film contains images that are galaxy like. The colors change fluidly and fade and change into each other. A strange technique is used in this film that is not seen in many other films. This image is one that contains images on the top of the screen moving in one direction and images at the bottom of the screen that are moving in the opposite direction. It gives the impression that forces are pulling in opposite directions even though it is a single frame.
0.0

Year:

1987

Northern Lights

Northern Lights

The film contains colors that combine and flow into others. Snow-like objects can also be seen falling over the screen. Although when Belson made the film he did not intend to capture or recreate the aurora borealis, Belson soon realized when he was done making the film that the film did just that. For that reason Belson gave named the film "Northern Lights." After finishing the film, Belson saw footage of the aurora borealis and realized just how close he came to capturing what the northern lights actually look like.
0.0

Year:

1985

Fountain of Dreams

Fountain of Dreams

A bold synchronization to the transcendental music of Franz Liszt.
6.9

Year:

1984

Creation

Creation

The first 12 minutes would later be released as "Fountain of Dreams"
0.0

Year:

1984

The Right Stuff

The Right Stuff

As the Space Race ensues, seven pilots set off on a path to become the first American astronauts to enter space. However, the road to making history brings forth momentous challenges.
7.4

Year:

1983

Quartet

Quartet

Several versions of Quartet were found in filmmaker Jordan Belson’s studio after his death, none completed with music.
0.0

Year:

1982

Apollo

Apollo

This rarely-screened work, evoking distant planetary landscapes, is listed by the Center for Visual Music as one of Belson’s unfinished and/or unreleased films.
0.0

Year:

1982

Blues

Blues

Also called Pisces, this rarely-screened work is part of Belson’s Synchronicity Suite along with Apollo’s Lyre, Seapeace, and Eleusis/Crotons. It is listed by the Center for Visual Music as one of Belson’s unfinished and/or unreleased films.
0.0

Year:

1980

Infinity

Infinity

Short experimental film by Jordan Belson
6.0

Year:

1980

Demon Seed

Demon Seed

A scientist creates Proteus, an organic supercomputer with artificial intelligence which becomes obsessed with human beings, and in particular the creator's wife.
5.9

Year:

1977

Music of the Spheres

Music of the Spheres

Music of the Spheres returns to Belson's galactic imagery in a kaleidoscopic journey through space and time with the technological help of an optical printer.
6.4

Year:

1977

Cycles

Cycles

Cycles brings together 16mm film with Stephen Beck’s Direct Video Synthesizer imagery via a proprietary process Beck referred to as “editation.” Beck also composed the soundtrack to the film, which is made of one sequence repeated 12 times, with both artists contributing variations on each pass.
6.0

Year:

1974

Anima

Anima

Abstract computer animation set to autoharp solo music composed and performed by Jordan Belson
8.0

Year:

1974

Video Weavings

Video Weavings

Video Weavings is a link between the modern (video) and the ancient (weaving) technologies. Video Weavings are based on poetic mathematical rhymes, or algorithms, visualized in real time on the warp and weft of video's horizontal and vertical scanning electron beams, color phosphors, plasma cells, and LCD pixels.
9.0

Year:

1974

Light

Light

Directed by Jordan Belson.
7.7

Year:

1973

Chakra

Chakra

"In Chakra, I was able to transfer the traditional order of the chakras into a film, starting with the first (lower) chakra and working up to the seventh (top) chakra…" - Jordan Belson
6.5

Year:

1972

Meditation

Meditation

An abstract experimental short film from Jordan Belson.
5.5

Year:

1971

World

World

In fluid sequence the birth of a world depicted as a bio-astronomical event.
6.4

Year:

1970

Cosmos

Cosmos

The shifting, abstract color imagery of Jordan Belson's "Cosmos," which unfurls to electronic sound, is attributed in the program notes to the artist's insight from experience with drugs and yoga. - The New York Times
5.7

Year:

1969

Momentum

Momentum

"Momentum is Belson's most serene and gentle film since Allures. This treatment of the sun as an almost dreamlike hallucinatory experience is both surprising and curiously realistic." -Gene Youngblood
6.5

Year:

1968

Samadhi

Samadhi

Samadhi is both mystical and mysterious, an incredible fusion of movement, sound and colour. Belson notes the influence of his study and practice of Yoga and Tibetan Buddhism on the creation of Samadhi. The film is inspired by the principles of yogic meditation: the movement of consciousness towards samadhi (union of subject and object), the fusion of atma (breath and mind), a state which reveals the divine force of kundalini, a bright white light we discover at the end of Samadhi. The Tibetan Book of The Dead is the inspiration behind Belson’s use of colour in Samadhi, corresponding to descriptions of the elements of Earth, Fire, Air and Water in the book. —Sophie Pinchetti, The Third Eye
5.7

Year:

1967

Phenomena

Phenomena

Approach the work "...As though you were approaching earth as a god, from cosmic consciousness [...] You see the same things but with completely different meaning." -JB.
5.1

Year:

1965

Re-entry

Re-entry

"In Re-entry he successfully synthesizes the Yogic and the cosmological elements in his art for the first time by forcefully abstracting and playing down both of them..." P. Adams Sitney
5.8

Year:

1964

LSD

LSD

Filmmaker Jordan Belson stated this was simply an unfinished project representing the zeitgeist of this time, rather than a finished film.
0.0

Year:

1962

Allures

Allures

Allures is a spectacular sequence of moving figures and points, a film which reaches out to the cosmic and the spiritual, where the spatial dimension becomes transcendental.
6.5

Year:

1961

High Voltage

High Voltage

High Voltage is constructed from footage James Whitney contributed to Belson for use in one of his Vortex concerts.
5.0

Year:

1959

Vortex V presentation reel

Vortex V presentation reel

One of Jordan Belson's presentation reels used in the Vortex Concerts.
0.0

Year:

1959

Séance

Séance

Séance provides one of the first cinematic examples of a flicker effect.
0.0

Year:

1959

Raga

Raga

A hand animated film that is a precursor for Belson’s later work
5.0

Year:

1958

The End

The End

A short film which explores the last day in the lives of six different people.
6.0

Year:

1953

Things to Come

Things to Come

A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.
0.0

Year:

1953

Obmaru

Obmaru

"Marx was born in Queensland, Australia, and was a landscape painter and model there before moving to San Francisco. However, when she arrived, she found herself in the midst of fascinating non-objective painting and filmmaking activity. She was greatly influenced by the work of Harry Smith and Jordan Belson, and changed her own style to non-objective, receiving graphic inspiration from Jungian brain drawings, symbols in the occult sciences, and the design used by Eastern cultures, all of which being important elements in the San Francisco school mystical school of non-objective art." -Robert Pike, A Critical Study of the West Coast Experimental Film Movement. Preserved by the Academy Film Archive in 2000.
0.0

Year:

1953

Mandala

Mandala

Scroll paintings prepared like film strips with successive images.
7.0

Year:

1953

Bop Scotch

Bop Scotch

An early film by Jordan Belson from 1952. "[Belson's] early films animated real objects (pavements in Bop Scotch [1952]) and scroll paintings prepared like film strips with successive images (Mandala [1953]). Belson subsequently withdrew these films from circulation as imperfect and primitive, but they already reflect his refined plastic sensibility, fine color sense, and superb sense of dynamic structure. They also foreshadow his more accomplished expressions of mystical concepts, Bop Scotch seeming to reveal a hidden soul and life-force in "inanimate" objects."
5.3

Year:

1952

Caravan

Caravan

Experimental short by Jordan Belson.
0.0

Year:

1952

Mambo

Mambo

A Jordan Belson film.
0.0

Year:

1951

San Francisco Chronicle Commercial

San Francisco Chronicle Commercial

In the early 1950s, Jordan Belson made a hand-drawn animated commercial for the local newspaper, the San Francisco Chronicle. He disliked the music they selected for the commercial, and didn't keep a copy with sound. The ad screened in local movie theatres. This silent film print is in the collection of Center for Visual Music.
0.0

Year:

1950

Improvisation No. 1

Improvisation No. 1

Experimental short by Jordan Belson.
0.0

Year:

1948