Jorge Bodanzky

Limites do diáfano

A compilation of some of the Super-8 materials shot by Jorge Bodanzky during the Brazilian military dictatorship, blending domestic footage, experiments with the cinematographic medium, and the traces, in an amateur format, of some of his thematic and stylistic obsessions.

Candango: Memoirs from a Festival

In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.

Utopia, Distopia

Jorge Bodanzy appeals to the emotional memories of the period he spent studying at the University of Brasilia to show us a tableau of youth in the 1960s, with their dreams and expectations, their hardships, and interrupted projects.

The Age of Water

The film warns us about the world's water crisis and the international greed for the Amazon Forest, the largest fresh water reservoir on the planet. In addition to concentrating 20% of the world's drinking water, the Amazon is the region with the greatest chance of maintaining its water sources in the next decades, thanks to the humidity of its forest.

Audácia!

Segment "Prólogo": interviews and scenes with some of the most important filmmakers of the "Boca do Lixo" of São Paulo. Segment "A Badaladíssima dos Trópicos x Os Picaretas do Sexo": shenanigans of a troubled fictional film production. Segment "Amor 69": Actress Maria Vargas is expected to appear nude in a scene, but ultimately refuses to do so.