Kelly Crandall D'Amboise

Detroit '67

In 1967 Detroit, Motown has hit its groove and the Poindexter siblings, Chelle and Lank, make ends meet by hosting parties in their basement. However, Lank and his friend Sly have dreams beyond the cellar shindigs—despite Chelle’s resistance. When Lank then brings home a mysterious white woman, the family’s simmering disagreements explode—as their streets erupt in riots—and life becomes a lot more dangerous.

After Midnight

With music by Duke Ellington, Harold Arlen, Dorothy Fields and more framed by the poems of Langston Hughes, this exhilarating song and dance extravaganza features 28 of the big band era’s most memorable songs and showcases the gorgeous glamour and sophisticated syncopation of the Harlem heartbeat after midnight.

Midnight at the Never Get

If life is a rehearsal for your memory, what moment would you replay? It is 1965 in New York City and cabaret crooner Trevor is in love—with Arthur, his songwriter. With their romance outlawed, the two create an act in the back room of an illegal Greenwich Village gay bar. However, pressures from a world on the cusp of change expose an ache for what they could never have in a wistful and whimsical serenade with tunes reminiscent of the Great American Songbook.

Simply Sondheim

A musical revue of over 30 songs written by Stephen Sondheim. The quintessential “Finishing the Hat,” “Another Hundred People,” “Losing My Mind” and “The Worst Pies in London” meet lesser known gems including “Country House,” “Saturday Night” and “Goodbye for Now”. New orchestrations by longtime Sondheim collaborator Jonathan Tunick are performed by a 16-piece orchestra, which accompanies 12 singers including Norm Lewis, Solea Pfeiffer, Conrad Ricamora, Emily Skinner, Bobby Smith, Awa Sal Secka, Tracy Lynn Olivera, and more.