Kong Lihong

Mrs. Fang

In a quiet village in southern China, Fang Xiuying is sixty-seven years old. Having suffered from Alzheimer's for several years, with advanced symptoms and ineffective treatment, she was sent back home. Now, bedridden, she is surrounded by her relatives and neighbors, as they witness and accompany her through her last days.

Father and Sons

In 2010, while he was filming "Three Sisters" in the mountain of Yunnan province, Wang Bing met two teenagers, Yonggao and Yongjin, whose father, a stonemason, had gone to the city in the hope of finding work. Wang Bing met up with them again in 2014, when they had been reunited with their father after four years in Fumin. For about a month, Wang Bing filmed their daily lives in the single squalid room that was their home. The fixed camera recorded the micro-events that punctuated their days : their father leaving for work, the youngsters themselves waking up, breakfast time, in front of the television, etc.

The Ditch

The film focuses on the suffering of Chinese who were imprisoned in a forced labor camp called Jiabiangou in the Gobi Desert in winter 1960 under Mao Zedong on the grounds that they were "rightist elements". The film tells of the harsh life of these men, who coped with physical exhaustion, extreme cold, starvation and death on a daily basis.

Man With No Name

The character of this story lives far from the worlds of the material and the spirit. He has built his own subsistence conditions. He often goes to the neighboring villages, although he doesn’t communicate with other people. He collects some waste but doesn’t beg. He prowls about the ruins of deserted villages, as an animal or as a ghost. Under double political and economical pressure, most of people are depriving of their last dignity into a world where it exists a lack of material and spirit. But a human being stays a human being. He is looking for reasons to continue to live. —Wang Bing

Coal Money

On the coal road linking the Shanxi mines with the large port of Tianjin, in northern China, the drivers of 100-ton trucks shuttle endlessly to and from, day and night. On the roadside: prostitutes, cops, petty racketeers, garage owners, mechanics.

Crude Oil

Filmed in the Inner Mongolian portion of the Gobi Desert, this film follows a group of oil field workers as they go about their daily routine.

The State of the World

An omnibus project examining, well, the state of the world.

Fengming: A Chinese Memoir

The film consists almost entirely of an interview with the elderly He Fengming, recounting her experiences in post-1949 China.

I Come From Ikotun

Four years ago, Kingsley arrived from Nigeria in Guangzhou, China and shared a small room with other Africans in the basement of a commercial building. He converted this modest space into a barber’s shop. Kingsley is keen to start an import and export company and to register it officially in Guangzhou. He works every day until 11 pm then goes to sleep in a chair at McDonald’s. He must also send money to his wife, so despite all his efforts, he is still unable to put aside enough money to register his business. In mid-November 2019, he goes back to Lagos to renew his visa. There, he and his wife rent a small stall in the Ikotun Market in the suburbs. But business is hard. Early in 2020, Kingsley is due to head back to China to continue his quest, but with all travel blocked by the Covid-19 epidemic, he remains stuck in Nigeria. Meanwhile, in Guangzhou, the director meets Evelyn, a Nigerian woman, trying to survive with her 6-year-old daughter and with another one on the way.