Kristine Kintana

Leonor Will Never Die

Fiction and reality blur when Leonor, a retired filmmaker, falls into a coma after a television lands on her head, compelling her to become the action hero of her unfinished screenplay.

Living Things

Kints and Charles have been together for almost a decade. One day, Kints wakes up and discovers that her lover has changed, literally. Although troubled at first, she eventually understands that what happened is a natural phenomenon. Through this, she is reminded that people change all the time and love can change people.

A Lullaby to the Sorrowful Mystery

Andrés Bonifacio is celebrated as the father of the Philippines Revolution against Spanish colonial rule. This eight-hour epic examines this myth, undertaking an expedition into history through various interwoven narrative threads, held together by an exploration of the individual’s role in history.

Ned's Project

An itinerant tattoo artist joins a talent reality show for lesbians in the hopes of winning the prize money that will enable her to get artificially inseminated and achieve her lifelong dream of becoming a mother.

From What Is Before

The Philippines, 1972. Mysterious things are happening in a remote barrio. Wails are heard from the forest, cows are hacked to death, a man is found bleeding to death at the crossroad and houses are burned. Ferdinand E. Marcos announces Proclamation No. 1081 putting the entire country under Martial Law.

Norte, The End of History

An embittered law student commits a brutal double murder; a family man takes the fall and is forced into a harsh prison sentence; a mother and her two children wander the countryside looking for some kind of redemption.

Florentina Hubaldo, CTE

A young woman is held captive by her father and forced to become a prostitute. Meanwhile, two men embark on a personal quest for buried treasure. However, both groups of people show signs of debilitating illness.

Illogical Patterns of a Logical Parallelism

A silent film by Jet Leyco.

Son of God

The directors want to shoot a film about a man known as the son of god. But what starts out as a practical joke, extends to become a curious portrait of what could either be a petty fraud or the world’s most secret miracle. A film crew tracks his bizarre pilgrimage as magic and religion, faith and doubt, real and unreal blur and melt to the point that one of the director becomes one of the characters. The film traverses all descriptions, before ending as both an affirmation of faith for the faithless and a criticism of faith for the overly faithful.

Visitors

Hong Sang-Soo’s Lost in the Mountains (South Korea, 32min) the visitor is the supremely self-centred Mi-Sook, who drives to Jeonju on impulse to see her classmate Jin-Young – only to discover that her friend is having an affair with their married professor, who Mi-Sook once dated herself. The level of social embarrassment goes off the scale. In Naomi Kawase’s Koma (Japan, 34min), Kang Jun-Il travels to a village in rural Japan to honour his grandfather’s dying wish by returning a Buddhist scroll to its ancestral home. Amid ancient superstitions, a new relationship forms. And in Lav Diaz’ Butterflies Have No Memories (Philippines, 42min) ‘homecoming queen’ Carol returns to the economically depressed former mining town she came from – and becomes the target of an absurd kidnapping plot hatched by resentful locals. Serving as his own writer, cameraman and editor, Diaz casts the film entirely from members of his crew and delivers a well-seasoned mix of social realism and fantasy. —bfi

Butterflies Have No Memories

The story is set in a remote spot in the Philippines. The economic crisis has taken over and a group of men doesn’t do much apart from drink. Until an enchanting Canadian woman arrives.