Lasse Linder

Galaxy Urnäsch 3000

Cows graze atop rolling hills, the Säntis cable car glides towards the mountain station, and behind it, 2.5 million light years away, the Andromeda Nebula shimmers. In Urnäsch, winter is drawing in: the local butcher cutting the last geraniums from their window boxes and the men’s choir is rehearsing. But when the streetlights go out, leaving only the stars twinkling above, the village youth gather and dreams of other worlds are discussed.

So Far So Good

On a hot summer day four groups sweat without realizing that the world is slowly ending.

In Good Hands

The lines are busy at the telephone helpline. A life coach records an encouraging video while concerned parents consult a child psychologist. A spectrum of cinematic tableaus shows people trying to counteract the increasing loneliness to create intimacy in a detached society.

People on Saturday

A sunny Saturday afternoon in Zurich. In the middle of a crowded square a businessman is lying on a bench, seemingly asleep. Someplace else, a teenager is longing for appreciation. A commuter is fighting the ticket machine. The film shows ten tableaux of everyday situations in the city. The people in them are confronted with small or big problems. Each one of them is a Sisyphos, endlessly rolling the little stones of daily life up the mountain.

All Cats Are Grey in the Dark

He calls himself Catman. Christian lives with his two cats Marmelade and Katjuscha. They are inseparable. As he yearns to become a father, he has his beloved Marmelade fertilized by an exclusive tomcat abroad.

All Cats Are Grey in the Dark

He calls himself Catman. Christian lives with his two cats Marmelade and Katjuscha. They are inseparable. As he yearns to become a father, he has his beloved Marmelade fertilized by an exclusive tomcat abroad.