Аватар персоны Lata Mangeshkar

Lata Mangeshkar

ActorProducer
Lata Mangeshkar was an Indian playback singer and occasional music composer. She was the best-known and most respected playback singer in India. She was referred to as the Nightingale of India and the Queen of Melody. Mangeshkar's career started in 1942 and had spanned over seven decades. She recorded songs for over a thousand Hindi films and had sung songs in over thirty-six regional Indian languages and foreign languages, primarily in Marathi and Hindi. She was the recipient of three National Film Awards, 12 Bengal Film Journalists' Association Awards, four Filmfare Best Female Playback Awards, two Filmfare Special Awards, Filmfare Lifetime Achievement Award and many more. The Dadasaheb Phalke Award was bestowed on her in 1989 by the Government of India. She was also the second vocalist, after M. S. Subbulakshmi, to have ever been awarded the Bharat Ratna in 2001, India's highest civilian honor. She was the first Indian to perform in Royal Albert Hall in 1974. She was conferred France's highest civilian award (Officer of the Legion of Honour) in 2007. Due to all of her achievements, many singers and musicians consider her to be one of the greatest female singers in the Hindi film industry. She had four siblings—Asha Bhosle, Hridaynath Mangeshkar, Usha Mangeshkar and Meena Mangeshkar—of whom she is the eldest. Description above from the Wikipedia article Lata Mangeshkar, licensed under CC-BY-SA, full list of contributors on Wikipedia.

28-09-1929

Birthday

Libra

Zodiac Sign

-

Genres

5

Total Films

Latha Mangeshkar, Latha Mangeskar

Also known as (female)

Indore, India

Place of Birth

Popular works

Creative career

actor

5 Works

producer

1 Works

director

239 Works

writer

0 Works

other

238 Works

Cinema Asia: India

Cinema Asia: India

While Northern India’s 100-year-old film industry is best known for flamboyant dance sequences and romantic plot lines, its directors have begun to step outside established formulas and explore grittier subject matter. This program surveys the world of Bollywood filmmaking, examining the personalities as well as the commercial and thematic concerns that drive central Asia’s answer to Tinseltown. Interviews with directors Karan Johar, Ashutosh Gowariker, and Yash Chopra are included, along with commentary from choreographers, musical directors, and Cinemaya Magazine editor Aruna Vasudev. The industry’s newfound attention to poverty, homelessness, and other social concerns is examined. Several film excerpts are included.
0.0

Year:

2007

Pukar

Pukar

Major Jaidev saves a politician from the clutches of a dreaded terrorist. However, the terrorist joins hands with his childhood friend Anjali to ruin his life.
6.6

Year:

2000

Raj Kapoor - The Showman of Indian Cinema

Raj Kapoor - The Showman of Indian Cinema

Raj Kapoor, the film maker and actor became a legend in his lifetime. Head of one of the last great studios on the Indian sub-continent and creator of a film-making empire for nearly half a century. Woven into the texture of this 70-minute film, part personal narrative, part rare visuals, part cinema footage, is the picture of a man who straddled the Indian cinematic world for nearly half a century like a colossus.
0.0

Year:

1987

Emperor Shivaji

Emperor Shivaji

The film chronicles the ascent of Shivaji, the great Maratha warrior who fought for liberty from the erstwhile Muslim rulers in order to establish a secular Hindu kingdom.
0.0

Year:

1952

Maze Baal

Maze Baal

Khandekar’s didactic script for Vinayak continues his preoccupation with the character of a moral man whose principles conflict with practical reality. Manohar (Salvi, who plays this character’s earlier version: Bappa in Vinayak’s Amrit, 1941) is an alcoholic but idealistic public prosecutor and calls for the death sentence for the nationalist anarchist Ravindra (Vinayak). Ravindra’s girlfriend Shashi (Meenakshi) is pregnant and gives birth in an orphanage. She then becomes a nurse and has to look after Manohar who falls for her. She agrees to marry him but keeps her child a secret. When a child is found dead in the orphanage, Manohar prosecutes its humanitarian manager for infanticide. Shashi, who appears as a witness, reveals the truth of her life in court, causing a dramatic change in her husband’s world-view.
0.0

Year:

1943