Lee Davis

Hoop Reality

Hoop Reality is the sequel to the 1995 documentary "Hoop Dreams" and explores what happened during the last decade from where "Hoop Dreams" left off. It follows the original basketball hero past his dream and into reality, examining where life has carried him over the decade, and taking a look at where he is today, as the torch gets passed to the next dream seeker. Along the way he mentors and inspires the up-and-coming basketball star, Patrick Beverly, who leads his team, the Marshal Commandos, for the first time since the original "Hoop Dreams", to the State Finals.

Christmas at Water's Edge

Everyone knows Christmas is a time of giving — well, everyone but one wealthy, spoiled college student who's about to get the ultimate wake-up call. When she helps organize a holiday concert at a youth center, little does she know the grumpy cabbie she works with is actually an angel in training.

3 A.M.

The feature film directing debut of Spike Lee protege Lee Davis takes the viewer into the world of taxi drivers. Developed in the Sundance Laboratory, this film offers dove-tailing stories centering on the lives of individual taxi drivers as they reflect on and experience romance, politics, sociology, and spirituality.

3 A.M.

The feature film directing debut of Spike Lee protege Lee Davis takes the viewer into the world of taxi drivers. Developed in the Sundance Laboratory, this film offers dove-tailing stories centering on the lives of individual taxi drivers as they reflect on and experience romance, politics, sociology, and spirituality.

Afrocentricity

On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.