Leticia Castro

El bumbún

In an inhospitable rural area in North-East Argentina, machismo, destitution and the repression meted out under the military dictatorship sees the birth of the latest daughter born to Antonio, alcoholic woodcutter who anxiously wanted his first son. After the three daughters are farmed out to families in better financial position, he christens the latest one with the name of José, nicknamed Bumbún, and forces her to take on the identity of a boy. Mercedes, hurt by having lost her other daughters, protects the girl and keeps up the lie, constantly threatened by Antonio. Having been forced to act as a boy since childbirth, Bumbún will struggle between whether to accept her fate or to fight to change it.

Dia naranja

Three women from different cities in Latin America, they simultaneously face the same challenge: an unexpected pregnancy. They do not know each other, but a golden and invisible thread links their lives. Their stories cross-relate and meet in different points, despite the distance. Each one in her own city, culture, and personal environment, will walk the streets, traversing fantasies, fears, desires and joys, looking for a door towards their new life, with as much glam our as they possibly can. A movie with many exhilarate and dramatic situations presented in an impeccable frame, driven by fashion, music, and a very feminine and sophisticated touch. Three accents, three colors, three kinds of sound, three cities. A movie as mandatory for women as wearing make-up

The Day Maradona Met Gardel

Two guys as different as a watchmaker and a television editor have to free Carlos Gardel's soul from a strange pact with the devil, who has it trapped. To break the spell, these fans of El Morocho del Abasto, and improvised exorcists, need to find a mythical figure of such popular force as Gardel: the great Diego Maradona.