Lilia Souza Diniz

Chico Mário - A Melodia da Liberdade

Younger brother of Henfil and Betinho, Chico Mário became a great guitarist and discovered in music his way of expressing himself and looking at the world.

Santiago das Américas ou o Olho do Terceiro Mundo

In a small island convulsed by the 1959 revolution, Santiago Álvarez used the Seventh Art as a political weapon and created an aesthetic that became a reference in the documentary field. Santiago, who called himself a permanent traveler through history, registered the most significant facts of his time, from the Cuban Revolution to the disintegration of the Soviet Block. He took to spectators from all continents a counterpoint to the history narrated by the United States Information Service, USIS. Through his works, we dive into the Cuban political and cultural scene, the tensions of Latin America, the Vietnam War, the countless conflicts for African independence, always with a peripheral look that is characteristic of his cinema, currently converted into a memory of a world in transformation.

Sonhos Interrompidos

Sonhos Interrompidos showcases the popular movements that planted new seeds, from which new utopias emerged. The work revisits struggles driven by equality and justice within libertarian movements across different periods in the history of Brazil and the world, connecting the aspirations of various generations for land distribution, education and healthcare for all, and development.

A Bolsa ou a Vida

In the post-pandemic future of covid-19, will the centrality be the financial casino and the accumulation of wealth by an elite or a quality life for all, with less inequality? Did the minimal state show itself capable of serving the collective? How to guarantee life without social and labor rights? What model of society do we want to live in? The film addresses the dismantling of the concept of social welfare and makes us reflect on the incompatibility of neoliberalism with a humanist project of society.

A Bolsa ou a Vida

In the post-pandemic future of covid-19, will the centrality be the financial casino and the accumulation of wealth by an elite or a quality life for all, with less inequality? Did the minimal state show itself capable of serving the collective? How to guarantee life without social and labor rights? What model of society do we want to live in? The film addresses the dismantling of the concept of social welfare and makes us reflect on the incompatibility of neoliberalism with a humanist project of society.