Lisa Fane

Endgame

Endgame tells the story of Hamm, who is reduced to living in one room, in which he sits blind and chair-bound. His only escape from his solitary world is the company of his aging, legless parents, who live in garbage bins, and his shuffling servant, Clov, who is at his beck and call, and who, like a dog, comes when whistled for. The only thing left for Hamm is to wait for the inevitable end. A pinnacle of Beckett’s characteristic raw minimalism, Endgame is a pure and devastating distillation of the human essence in the face of approaching death. “Nothing is funnier than unhappiness” invokes Nell, which summarizes the tragicomic nature of this timeless play.

Meet Me In St. Louis: A Holiday Special in Song and On Screen

In this heartwarming holiday musical, the Smith family grapples with life changes and new love in a bustling St. Louis on the brink of the 1904 World’s Fair. This special digital adaption from Charlotte Moore (Anna Smith in the original Broadway cast) will include favorite tunes, including “The Trolley Song,” “The Boy Next Door,” and “Have Yourself a Merry Little Christmas,” along with the romantic suitors, comedic misunderstandings, and jovial pranks that make this classic musical a holiday treat for families of all ages, no matter where you’re celebrating this year. This new digital production, filmed and edited remotely amidst the COVID-19 pandemic, is an abridged version of the Broadway musical Meet Me in St. Louis (1989), based on the 1944 film of the same name starring Judy Garland. Irish Repertory Theatre last presented Meet Me in St. Louis in 2007.