Livia Barbieri

Saudade

What are you willing to do for love? Nilde, when she was in her early twenties, followed the person she loved from Brazil to Italy. Here she started a family and here she got stuck. Saudade is an intimate conversation between a grieving mother and her son who tries to understand her. Memories resurface and sculpt the present, creating the complex portrait of two different families who have inevitably united.

Wanted

The mystery of entire districts of the metropolis that are emptied of human presence. A disturbing new order that investigates and represses. The lives of three women intertwine in an ambiguous game of escapes and captures, in which the roles of victim and executioner are exchanged to the point of confusion.

Where the Wind Blows

In a small village somewhere in the Apennines, taciturn Antimo divides his time between the local church, his tedious work on the farm and his chaste meetings with his girlfriend. His pivotal encounter with the wild loner Lazzaro awakens in the devout young man the desire to reach the very core of a faith far removed from the regular Sunday sermons delivered by a representative of the Church – a powerful institution for which freethinking and devotion to God represent incompatible ideas.

Flesh Out

A woman living in Mauritania is ordered to eat excessively so that she becomes more desirable and finds a husband.

Me, Myself and Her

Two women -- a restaurateur and an architect -- have a seemingly idyllic romantic relationship, until the latter encounters a man she had a fling with.

Benur: Un gladiatore in affitto

Milan is a Belarusian immigrant who arrived in Rome with the dream of being able to change his life but, unable to take advantage of his degree in engineering, he finds work as a fake centurion, in front of the Colosseum and dealing with the crowd of tourists with whom he has his photo taken. His employer is Sergio, a former stuntman and self-styled invalid who is busy with a thousand imaginative jobs just to make some money and who shares a house with his sister Maria, a hotline operator. As the competition in front of the Colosseum becomes increasingly tough, Milan devises a plan to defeat everyone and, using his university studies, builds a real chariot with which to attract as many customers as possible.

The House in the Wind of the Dead

Italy, 1947. Attilio is a Fascist and disgraced former movie star. Out of desperation, he joins a band of robbers for a heist. After the robbery, Attilio and the robbers take refuge in a house that proves to be deadly.

The House in the Wind of the Dead

Italy, 1947. Attilio is a Fascist and disgraced former movie star. Out of desperation, he joins a band of robbers for a heist. After the robbery, Attilio and the robbers take refuge in a house that proves to be deadly.

Right in Front

Stefano doesn't believe in miracles. He's just above thirty, but he lives his life without passion. Every single morning, as he drives to work, he is swallowed up by the traffic of the Big City. Then, one evening, the unexpected happens. Stefano finds a parking spot right in front of his building, as well as the long-lost 'joie de vivre'.